If legacy codecs can be licensed (with licensing fees paid presumably to run as part of the software packages like JRiver), why can't Dolby Atmos, DTS-X, and Auro 3D be similarly licensed? And please don't tell me they could not be done for less than the fees on something like a Trinov. Maybe as a Codec Overlord needs $20 k per unit when the hardware endpoint is only going to sell 50 units worldwide per annum, but on a PC? How hard would it be to recoup all your development costs and insure a lavish return if your product was on something that sold millions of units annually? Or do we need to ask Bill Gates about that one?
Sorry for taking it to the extreme. My bad for making that comparison.
I hear you from the “common sense” perspective. Companies like Cyberlink used to produce software for playing DVD and Blu-Ray’s off PC computers with PC based decoding of Dolby Digital and DTS HD.
The perfect solution for playing files in all popular media formats. Enhance audio and visuals with Truetheater technology. Manage your entire media library, including Blu ray and DVD movies. Plus, enjoy Ultra HD video playback, HDR10 video, and up to 7.1 surround sound.
www.cyberlink.com
But they don’t have Dolby TrueHD despite being the #1 OEM during the multimedia PC for software playback of DVDs and BDs. PowerDVD is a 2024 release as well.
We know that Trinnov is paying a license…
We know that no one else has paid for a license…
We know that the world’s #1 OEM of disc based playback is only licensing AC3 and DTS technologies…
If it’s not a technical limitation, it must be a business one.
I grant you, there does not need to be a $20K solution since the Trinnov includes a full PC, dedicated audio hardware, and you are prepaying for a level of technical support that is world class. Stripping out the COGS for the PC itself is easy enough.
But just like Dirac ART not being available on the PC/Mac from Dirac, I am sure “business” reasons prevent a low cost software based Dolby Atmos renderer for consumers that allows you take a HDMI or eARC input. Even the use of the Atmos encoder with ripped content had its loophole closed since Dolby will only sell to prevalidated companies, not end users.
Even though Yamaha licensed both DPL II and Dolby Atmos for their CX-A5100, even if you wanted to buy DPL II license, Dolby doesn’t let you do it. Same with Dolby Noise Reduction for tape playback.
But you would think that a company like Cyberlink would have created a software AVP if their licenses allowed them to do so since the fundamental know-how already exists in the company, as opposed to something like
Is 30 dB SINAD at 300W (Denon AVR-A1H) acceptable to you?
Sure. That’s at 300W, which may not be needed that commonly in systems using the A1H.
Post in thread 'Take the blind challenge! 300B SET vs. Straight Wire with Gain'
https://audiosciencereview.com/foru...vs-straight-wire-with-gain.43983/post-1580424
Here, a 22 dB 5W SINAD tube amp measured through a non inductive resistor at around 0.5W of power was compared to a 120 dB SINAD DAC. While there was a difference, it was smaller than people expected.