I agree with that, mostly. Loudness compensation is the more important feature for most people,
Good point.
it was the only AVP to maintain Dolby Pro Logic II for music upmixing along with Atmos.
Yes, the combo of DPLII and Atmos is a big one. I actually found YPAO to work very well in my own home along with manual PEQ and I liked it better than Audyssey, pre Ratbuddysey/MultEQ-X.
Collectively (assuming availability) that does not look like several thousand dollars of benefit to me,
Oh. To be clear, I agree. I think, if I won a raffle and could choose a free HTP-1 or a free AV10, I would go for the AV10 if I knew it had Dirac ART. When voting with my wallet and knowing that Dirac ART is in fact in development, I went with the HTP-1.
XLR analog inputs in a digital processor seem wasteful. What would be connected to it?
I have a digital piano that is attached to my office integrated amp. If I moved it to the family room, it would be nice to be able to run long cables without interference.
Alternatively, a balanced phono if you ran a standalone phono.
FWIW my old Marantz 7703 at least was inferior to HTP-1 as well as Bryston/Storm and Lyngdorf. It could not pass Dolby Vision through my optical HDMI while the others all could. Inadequate voltage for the driver. Maybe new ones have more grunt, but everyone was touting Marantz's HDMI superior performance way back then too.
+1. That’s good info to have. A lot of the Marantz’s HDMI “performance” is for the HDMI-CEC compatibility and integration with various TV brands, etc.
For optical hdmi, the first Ultra High Speed HDMI AOC cables came out in 2020, so it’s a bit of a trickier situation.
I would expect the HTP-1 to be better than the 8805 generation but hard to know against 8805A/AV10 era.