DanielT
Major Contributor
Engineering has always been the beating heart of Rega Research, a company obsessed with specialist materials, tolerances and accuracy.
Oh well..
Oh well..
Little brother of Rega Brio(2×73 watts 4 ohms). Very popular brand in France, specially for vinyl playing. Brio could have been my first "audiophile" integrated amp in 2013,with Nad c326be.
Well, another one bites the dust
Rega Brio Stereophile review(2017):The Amir trolls will be up in arms about this one! Very popular on forums, bargain budget product, multiple award winner, etc. I'm British, but apart from Kef and possibly Quad and Cambridge Audio, i'm constantly disappointed by traditional British hi-fi companies.
I'd love for you to review a Sugden amplifier. Let's see how good class A is with the quintessential class A amplifier company.
Unfortunately as often JA trying to relativize the measured engineering mess, thank god nowadays we have non ad-founded sources like ASR which talk a more honest language...And the conclusion :
"Rega's Brio is a well-sorted little amplifier,..."
It's clearly intended as cheap small all-in-one integrated amplifier with all comfort (remote, display), and as such it performs... well, so so. It's unnecessarily compromised by choice of the extremely small form factor.Suspect the idea behind this is to suck first timers onto the Rega upgrade ladder.
With the heat that this thing produces those capacitors will not be long lived.Might be a nice combo amp/heater for a small apartment.
On but off topic here is the assembly line for Rega products including the IO amp.
Ah, you beat me to itI'm starting to see a pattern here ..
DSJR:
If Amir has one to test, I'm girding my loins for a technical assassination frankly, as chasing top measured specs aren't really part of Rega's electronics portfolio and furthermore
Rega iO
I am curious as to how this little Brit amplifier measures. Seems astonishing value considering it is built by a reputable long standing company in Britain.audiosciencereview.com
Edit:
DSJR comes according to its own information from
LocationSuffolk Coastal, UK, so he should probably know British HiFi, British as he is(or live there anyway).
I suspect that the dealers are slagging Yamaha because it is a mass merchandised product available in many places and therefore the dealers have no territory protection and no price control. It's common practice for some retailers to slag product where they cannot control the sale. I used to retail Mission Cyrus and the amps where very popular at the time but I could not find a sound difference between them and a Yamaha. I suspect the same will apply here although the Yamaha will most likely have more power output for the same budget.Yamaha 701 integrated are despised over here in such dealers, as it's said to 'sound grey' and 'unnvolving'
I sold the Cyrus 1 and 2, latter later with PSX supply and found the 1 gutless and harsh-clipping when stressed (I think it got subjectively better though after they beefed up the cases but lovers of the original don't seem to rate these) and the 2 sounded a bit lightweright until the PSX came along, which gave the power amp circuit a properly sized supply as well as a kind of marketing upgrade path. I now realise that back then, I played things fairly loudly (I'm suffering for this big time now in my mid 60's) and a Cyrus 1 was probably being clipped a lot of the time I used it. I had to use these a lot in the 80's and early 90's because our sales director got a free skiing holiday if he met their sales targets. We also sold a lot of Naim Naits, another odd product that is revered now and sells for stupid money bearing in mind its feeble 20WPC max performance (it soft clips like a compressor, so 'sounds' louder than it is to lay people and the bass roll-off of the phono stage and lifted mid kHz region on said stage makes vintage bassy presence-recessed cartridges balance well)).I suspect that the dealers are slagging Yamaha because it is a mass merchandized product available in many places and therefore the dealers have no territory protection and no price control. It's common practice for some retailers to slag product where they cannot control the sale. I used to retail Mission Cyrus and the amps where very popular at the time but I could not find a sound difference between them and a Yamaha. I suspect the same will apply here although the Yamaha will most likely have more power output for the same budget.
I found them weak in power output too. I never got into promoting the Mission Cyrus gear because I was also retailing Yamaha, HK and Luxman as alternatives and they had way more power for the expense. A couple of workmates bought into the Cyrus pitch but it was never for me.I sold the Cyrus 1 and 2, latter later with PSX supply and found the 1 gutless and harsh-clipping when stressed (I think it got subjectively better though after they beefed up the cases but lovers of the original don't seem to rate these) and the 2 sounded a bit lightweright until the PSX came along, which gave the power amp circuit a properly sized supply as well as a kind of marketing upgrade path. I now realise that back then, I played things fairly loudly (I'm suffering for this big time now in my mid 60's) and a Cyrus 1 was probably being clipped a lot of the time I used it. I had to use these a lot in the 80's and early 90's because our sales director got a free skiing holiday if he met their sales targets. We also sold a lot of Naim Naits, another odd product that is revered now and sells for stupid money bearing in mind its feeble 20WPC max performance (it soft clips like a compressor, so 'sounds' louder than it is to lay people and the bass roll-off of the phono stage and lifted mid kHz region on said stage makes vintage bassy presence-recessed cartridges balance well)).
I am still hoping someone will send @amirm a Naim amp set.The Amir trolls will be up in arms about this one! Very popular on forums, bargain budget product, multiple award winner, etc. I'm British, but apart from Kef and possibly Quad and Cambridge Audio, i'm constantly disappointed by traditional British hi-fi companies.
I'd love for you to review a Sugden amplifier. Let's see how good class A is with the quintessential class A amplifier company.
Old ones measure very badly indeed by today's standards (check out 80's HiFi Choice measurements, IMD is dire for exampe), but the current cosmetic models I'm seen tested in Stereophile do seen 15 - 20dB better in distortion figures, albeit using different test gear of course and I think that as long as they're not driven to (hard) clipping, they seem to 'sound' clearer than they used to - oh, and some models have output networks as well - YIKES!!! ).I am still hoping someone will send @amirm a Naim amp set.