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I have bought the XT5 and is waiting in line for testing.The Presonus Eris XT5 or XT7 and the M-Audio BX5 D3 would make a nice test subject in the 'budget' class.
I have bought the XT5 and is waiting in line for testing.The Presonus Eris XT5 or XT7 and the M-Audio BX5 D3 would make a nice test subject in the 'budget' class.
I bought the 253 just now since I have measured a lot of bookshelves already.Infinity r162 sets are on sale for $160 right now at harman audio.
I have purchased them but they have yet to arrive.JBL Studio 530 . These used to be part of the Synthesis line also.
See link below for my old measurements of these speakers:
https://www.audiosciencereview.com/...ics-cr57-bookshelf-speaker.11943/#post-346174
Awesome!I bought the 253 just now since I have measured a lot of bookshelves already.
The CR57 is no longer available new. I have the CR67 which has the 5.25 inch woofer which I loved until I saw a comparative review that liked them, but mentioned sharp ESSS' sound which of course I listened for and drove me crazy. Sometimes ignorance is bliss. For example I can't listen to most modern pop records because they're so compressed including ones I used to like, Raising Sand by Alison Krause and Robert Plant for example.
I received my pair of 9.25" tall Q-Acoustics 3010 ($200) loudspeakers two days ago, and the "improvement" over my tiny Yamaha NS-A325 plastic-case monitors for desktop use is drastic - as expected. I primarily wanted more bass and a "bigger" sound - and I got that plus an added bonus of better dynamics at low volumes. Going from speakers rated at -3dB down at 150Hz vs. the same at 68Hz is an obvious and drastic change. Since I also use these for a "portable" system, I went for the slightly smaller and lighter 3010's rather than the 3020's, and only lost 4Hz at the -3dB bottom end.
Definitely hoping that @amirm will be testing the Q-Acoustics 3010 or 3020 monitors soon.
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I received my pair of 9.25" tall Q-Acoustics 3010 ($200) loudspeakers two days ago, and the "improvement" over my tiny Yamaha NS-A325 plastic-case monitors for desktop use is drastic - as expected. I primarily wanted more bass and a "bigger" sound - and I got that plus an added bonus of better dynamics at low volumes. Going from speakers rated at -3dB down at 150Hz vs. the same at 68Hz is an obvious and drastic change. Since I also use these for a "portable" system, I went for the slightly smaller and lighter 3010's rather than the 3020's, and only lost 4Hz at the -3dB bottom end.
Definitely hoping that @amirm will be testing the Q-Acoustics 3010 or 3020 monitors soon.
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I'd agree here.More out of curiosity than actual purchase decision making, the Klipsch Promedia 2.1 has been in continuous production for almost 20 years. It would be interesting to see how these measure to see how subjective measurements and objective opinions overlay.
I'm not sure I'd go that far given how far the highs are above the target (oratory1990) but they are good a example of what you're getting at.The Sony MDR-7506 is a headphone that has been in continuous production for a very long time and recently has been shown to fortuitously come close to the Harman target for headphones.
For just a bit more at $229 a pair I think they [the 3020] would be the better choice to measure.
...the 3010 has at least been measured by Sound and Vision 'quasi-anechoically' as part of Q Acoustic's 5.1 system here (purple curve)...
Interesting that the Q-Acoustics spec for the 3010 is -3dB at 68Hz, and Sound&Vision measured them at -3dB at102Hz, and -6dB at 66Hz.
I have both CR 57 (for rear-projection) and CR 67 (surround) in my previous 7.1ch home theater. Most blessed people (not audiophiles) who enter my dedicated room would think that the bigger ones should be better... But as you have already experienced, the CR67 only goes down in extension giving you lower and better power handling, at the expense of worse frequency response. Anyway, I have never noticed discomfort listening to the CR67, but my use has been for movie soundtracks in a room with full acoustic treatment and PEQ applied to them resulting in a response similar to the "in-room" from Amirm's graphs. On the other hand, the CR57 raw response sounds really good for the $100 I paid in 2009.
The small 4.25" woofer and smaller/different ratio cabinet makes for the better recipe.
WARNING: Whenever I recommend both speakers or any other type of bookshelf I do so with the consideration that they will be crossed with a subwoofer.
I'm not sure I'd go that far given how far the highs are above the target (oratory1990) but they are good a example of what you're getting at.
Infinity r162 sets are on sale for $160 right now at harman audio.