That is specifically what I was talking about thoughAgreed. I was reading your comment out of context and just thinking about musical content being masked.
That is specifically what I was talking about thoughAgreed. I was reading your comment out of context and just thinking about musical content being masked.
Not quite nuclear physics level stuff. A DAC has an analog part that is susceptible to ground loops etc.Amir didn’t measure differences in the cable itself. He saw differences after the audio device by changing a *digital * cable. It’s not audible but more about encountering something for the first time. Sort of like fusion ignition. We care about actually delivering power but it’s exciting to achieve ignition. That review is still a “first” to see a digital cable having an effect after an audio device.
Seems 1-2 dB is enough to do the trick - assuming the differences were actually real.Even if the difference is volume, what was the dB difference in that test that was experienced as differences in the piano track?
@maty is not just "someone".Yes, because referring to someone’s opinion means I agree with them on everything they write…
If it had any type of restriction (filter/limiter/name it) preventing it from going over the freqs where 2nd,3rd,etc harmonics are evident then we could suspect otherwise.Hard to follow you here. FR is not related to noise.
It is,but I'm also in the camp saying that there's no way hearing that,it's way beyond what we can hear.That's pretty much what I assumed and wrote in my initial post about the troublesome -75THD: it's all/mostly extra HD.
Looks like I might have been just right about that. Incredible
Not sure why ~100 extra posts happened in the meantime .. a case of the good old shi.t happens, I guess ..
My comment so let me make myself clear.Comments like: "Did these @Alpha Audio guys know something more that we mortals don't? It was a good laugh that they seemed to be serious about it." are not really inviting. They actually hurt... We are human beings as well you know.
That's not how noise shaping works. It has no relation with FR.If it had any type of restriction (filter/limiter/name it) preventing it from going over the freqs where 2nd,3rd,etc harmonics are evident then we could suspect otherwise.
Did I mentioned noise shaping?That's not how noise shaping works. It has no relation with FR.
Usually 80 to 100 kHz. In this specific case, I don't know.Hello @boXem. What is the ~operating frequency range of the power supply used in the Hypex gear?
Fine with me. I am not saying that this particular -75 THD is always or surely audible.It is,but I'm also in the camp saying that there's no way hearing that,it's way beyond what we can hear.
And which of these, Purifi, Ncore, NcoreMP, NcoreX, Nilai, has the lowest noise level with the amp on and no signal? And which ones are the quietest (speaker crackling) when turning on and off?Btw, was asked recently about the Nilia and I do not have any personally. I only received units from Hypex to build for Amir. I did listen to it and liked how quiet it was. Not a fan of the standby switch as I power my system from an intelligent surge protector. Would I upgrade to Nilai if I had a newer Hypex Ncore or Purifi? Only if I needed the additional power...
Aside from what I already mentioned, one oddity is the gain levels. They do not match exactly to any other Hypex unit I have used.
Hope this helps!
And which of these, Purifi, Ncore, NcoreMP, NcoreX, Nilai, has the lowest noise level with the amp on and no signal? And which ones are the quietest (speaker crackling) when turning on and off?
well thank you
YesWell thank you! Does your statement about the old MP module mean that there is some new variant of the MP modules?
The noise is discussed elsewhere on the forum.Excellent information! I haven't read about it anywhere else.
I can see that you are extremely knowledgeable and an expert, so I would like to ask you about one crazy AVR wiring option. Class D amplifiers are excellent mainly in the low to mid-high frequencies, while class AB is also excellent in the highest frequencies, I could use an internal AVR amplifier (class AB) for the tweeter and an external class D amplifier for the bass for biamped speakers and the middle band? Of course with matching the gain of both amplifiers?
What is that claim based on?Class D amplifiers are excellent mainly in the low to mid-high frequencies, while class AB is also excellent in the highest frequencies,