IMHO, the market comparable is the March Audio Sointuva which, for less money, probably has the Revel beat on everything save soundstage width. Also the Ascend Sierra LX may offer much the same experience for far less money.The compression at 96dB and higher is a joke. R3 Meta are half the price and perform way better
The problem with the March is that it's a boutique brand that's not widely available so it loses points on thatIMHO, the market comparable is the March Audio Sointuva which probably has the Revel beat on everything save soundstage width for less money.
I kinda think the sierra 2ex v2 would be every bit as good as well as the bmr, the sierra may not have 90 deg dispersion (like the bmr) though...IMHO, the market comparable is the March Audio Sointuva which, for less money, probably has the Revel beat on everything save soundstage width. Also the Ascend Sierra LX may offer much the same experience for far less money.
I have the Sierra LXs and ran right to my listening room to see how wide the “clicks” he mentioned in Magic were. Although not a couple of feet outside of the left speaker, it was definitely outside. My listening position is close probably affecting the soundstage.I kinda think the sierra 2ex v2 would be every bit as good as well as the bmr, the sierra may not have 90 deg dispersion (like the bmr) though...
That's a very nice looking set up... I am myself am jonesing for some bmr's , but the lx has certainly crossed my mind, as well as the cmt 340s , I'd really like Erin or Amir to measure either with subjective notes...Edit .. I just checked as well on my emotiva b1s modded by Dennis Murphy, the click on the right side was a couple feet right of the speaker.... Pretty decent...i want to hear this now on the bmr'sI have the Sierra LXs and ran right to my listening room to see how wide the “clicks” he mentioned in Magic were. Although not a couple of feet outside of the left speaker, it was definitely outside. My listening position is close probably affecting the soundstage. View attachment 294889
The compression at 96dB and higher is a joke. R3 Meta are half the price and perform way better
What are you talking about? They are very similar other than that one midrange spike. The compression/expansion is mostly within 1dB anyway. Not remotely a problem.The compression at 96dB and higher is a joke. R3 Meta are half the price and perform way better
This is exactly what I'm talking about. Almost 1.5dB enhancement in the range where human hearing is most sensitive.What are you talking about? They are very similar other than that one midrange spike. The compression/expansion is mostly within 1dB anyway. Not remotely a problem.
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My thoughts as well.. It is the price point difference that is the key here...$2000 less for slightly better performance....This is exactly what I'm talking about. Almost 1.5dB enhancement in the range where human hearing is most sensitive.
Even if this specific peak is not audible the R3 Meta still beat them in all other distortion and frequency response measurements and are half the price.
Hearing is most sensitive around 3-6kHz. The peak is around 1.7kHz, where there is a crossover from timing to level sensitivity, and hearing is more sensitive than at lower frequencies, but less discerning.This is exactly what I'm talking about. Almost 1.5dB enhancement in the range where human hearing is most sensitive.
Even if this specific peak is not audible the R3 Meta still beat them in all other distortion and frequency response measurements and are half the price.
Yeah, i think "diminishing returns" is hitting pretty hard in the revel line up above the m106/ f 208 level...Looks a little disappointing, IMO. Value is in the eye of beholder, but hard for me to wrap my head around this being twice as expensive as the R3 and nearly 3 times as expensive as the Ascend LX…not to mention actives like the Neumann KH150 and Buchardt A500/A10.