Why? It’s not a codec used on content people view (I.e. streaming). Neural:X is the worst of the immersive upmixers IMO for stereo music. Besides, isn’t the distinction between Pro and regular just channel count? Sixteen channels on a modern AVR/P generally means 7.1.4 with multiple subs integrated with DLBC. Doesn’t normal DTS-X handle that? If it were a 20-channel thing then ok, it should support all of the wides and middles or whatever.
DTS-X PRO is not a codec, it is a better version of decoding, allowing the objects in the standard codec to be distributed over more speakers. I run the SDP-55 in a 9.1.6 config with front wide speakers that the SDP-55 can‘t address with DTS-X content. The same is true for my Center Height and Top Speaker (Voice of God). They are defined in DTS-X pro but not in the regular DTS-X. I use those speakers for Auro 3D.
But I agree that a 16 channel AVR/AVP should offer DTS-X PRO decoding because a processor with that high channel count is likely to be set up with those additional speakers that are only defined for the pro decoder.
BTW, an additional feature of the JBL Synthesis over the Arcams is the
Dante output. It still has an annoying bug, but Harman is aware of it and is working on a solution