So equivalent to AVR40?The amp section is twin of Arcam HDA Amps and is "supposed to be" better than Arcam AVR30/31 since it uses better DACs- but who thunk it![]()
So equivalent to AVR40?The amp section is twin of Arcam HDA Amps and is "supposed to be" better than Arcam AVR30/31 since it uses better DACs- but who thunk it![]()
www.audiosciencereview.com
www.audiosciencereview.com
-No DTS Pro is unforgivable for a 16 channel processor IMO. Not sure why this platform and the monoprice htp1 don’t have it.
Arcam AVR30/31 is receiver (JBL SDR 35/38), AV40/41 is processor (SDP 55/58). Audiocontrol uses same platform but am intrigued by their X9.So equivalent to AVR40?
DTS-X PRO is not a codec, it is a better version of decoding, allowing the objects in the standard codec to be distributed over more speakers. I run the SDP-55 in a 9.1.6 config with front wide speakers that the SDP-55 can‘t address with DTS-X content. The same is true for my Center Height and Top Speaker (Voice of God). They are defined in DTS-X pro but not in the regular DTS-X. I use those speakers for Auro 3D.Why? It’s not a codec used on content people view (I.e. streaming). Neural:X is the worst of the immersive upmixers IMO for stereo music. Besides, isn’t the distinction between Pro and regular just channel count? Sixteen channels on a modern AVR/P generally means 7.1.4 with multiple subs integrated with DLBC. Doesn’t normal DTS-X handle that? If it were a 20-channel thing then ok, it should support all of the wides and middles or whatever.
Seems to me like a sensible option - as most listening is done at levels where the 0.8 to 0.9V peak SINAD is far more relevant, than a 2V output level - which would be testing the external power amps max rated output levels... (and how often does anyone listen at those SPL's !?)
www.audiosciencereview.com
Oh, you can, using Dante.It's a 16 channel Atmos home theater receiver with 125-150 wpc amps, and you won't be able to upgrade to outside amps because of the shutdown circuit.

DTS-X PRO is not a codec, it is a better version of decoding, allowing the objects in the standard codec to be distributed over more speakers. I run the SDP-55 in a 9.1.6 config with front wide speakers that the SDP-55 can‘t address with DTS-X content.
It looks awesome but I would always look at it and feel ripped off..... Substance always trumps form.Awesome review as usual. I'd still buy it for the looks.