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It will have to be named Zero: Green
One rather suspects it will be the B3D ;-)
It will have to be named Zero: Green
RGB, only one way to go! But it does run out, he'll have to yellow and cyan after that! Ever decreasing circles of perfection, lol!It will have to be named Zero: Green
I bought them from amazon.de (shop of shenzenaudio.de).In the US I see they are for sale at Amazon.com via shenzhenaudio. Or directly from shenzhenaudio. Are these the places everyone is buying them at? I see delivery is out a couple weeks (shipping from China to the US).
Have you ever had any trouble with customs doing so?I bought them from amazon.de (shop of shenzenaudio.de).
I'm in UK, not USA, and have bought from shenzhenaudio both via amazon UK and direct from their own website. Several times each. They are really reliable and the products from China have all arrived sooner than the estimated time. If you have worries about needing returns then use Amazon as there is some extra facility there with refund and returns, but for the lower cost items I would not worry at all. Btw I am not endorsing the Truthear X Crinacle Red - I haven't heard it. But I bought my original Truthear X Crinacle from these guys, also other IEMs and amps and more and have no complaints. They are an extremely efficient vendor whose portal is easy to use.In the US I see they are for sale at Amazon.com via shenzhenaudio. Or directly from shenzhenaudio. Are these the places everyone is buying them at? I see delivery is out a couple weeks (shipping from China to the US).
I realise the drama involved in mentioning it around here... But crinacles 5128 measurements definitely show them being very close, bass included. The major difference in those measurement sets is in over 15khz, and I hear basically nothing up there. So likely take away is if you're under 35 sure the dusk might sound sparklier.The Dusk is significantly closer to Harman:
View attachment 291367
In fact, it has the second highest (behind the AKG N400) Harman predicted preference rating (a measure of adherence to the target) of 87% (as measured on Oratory's GRAS rather than Crinacle's clone coupler) of all IEMs on AutoEQ's ranking table, so it's no surprise they preferred it. It has broadband (higher audibility) more bass, more mid-treble, and far better treble extension than the Red, all of which matters.
I have the same feeling.dark sounding treble in the air region
Well, I'm not sure of that. (Nor am I sure of the opposite.)there's zero chance that distortion differences would differentiate these two IEM's when it comes to listening.
Remember, the score calculation is done only from 40Hz to 10 kHz. With the 10 Ohm adapter the Red is closer to Harman bass. And the fact that the ear gain region from 2kHz to about 6kHz is below Harman (and a bit below the Dusk), is deliberate and a choice very welcomed by many (including me), avoiding shoutiness. The only real weakness worth mentioning is the treble (a bit unsmooth and dark), but as already mentioned by others as well, for anybody above 50 years that should not be very relevant.The Dusk is significantly closer to Harman:
View attachment 291367
In fact, it has the second highest (behind the AKG N400) Harman predicted preference rating (a measure of adherence to the target) of 87% (as measured on Oratory's GRAS rather than Crinacle's clone coupler) of all IEMs on AutoEQ's ranking table, so it's no surprise they preferred it. It has broadband (higher audibility) more bass, more mid-treble, and far better treble extension than the Red, all of which matters.
I realise the drama involved in mentioning it around here... But crinacles 5128 measurements definitely show them being very close, bass included. The major difference in those measurement sets is in over 15khz, and I hear basically nothing up there. So likely take away is if you're under 35 sure the dusk might sound sparklier.
Of course then we go into how bad and just about pointless it is judging high frequency performance straight from FR measurements, which oratory will be the first to mention I'm sure.
I can only go back to my own experience, both sounded super similar. The 5x cost difference didn't make sense for me.
You're misremembering. The range of frequencies the IEM algorithm uses is 20 Hz to 10 kHz, with only one of three variables (limited weighting) restricted to > 40 Hz.Remember, the score calculation is done only from 40Hz to 10 kHz.
I (and the reviewer who's impressions we're referring to, and as I understand @lazarian ) are talking about the Red sans adapter.With the 10 Ohm adapter the Red is closer to Harman bass.
Whether it's a deliberate choice is irrelevant. Grados are deliberately tuned with huge treble peaks and many people claim to love them in uncontrolled sighted listening.And the fact that the ear gain region from 2kHz to about 6kHz is below Harman (and a bit below the Dusk), is deliberate and a choice very welcomed by many (including me), avoiding shoutiness.
Crinacle's clone coupler measurements cannot be used to accurately judge Harman target adherence; they trend towards underestimating the ear gain, as evidenced by comparing his Dusk measurements to Oratory's professional measurements linked above using the exact same (genuine GRAS RA0045) coupler Harman used when devising their target (yes there are other variables such as unit variation, but the trend is there). This error in the clone coupler is likely down to acoustic impedance differences from the GRAS RA0045, which means there wouldn't be an exactly constant error transfer function between them for all IEMs, so the former cannot even be used to accurately judge differences between IEMs.
Again, we're talking about the response without the adapter, and you need to normalize at 500 Hz as per the industry standard. Also, Crinacle's graph tool has ridiculously squashed vertical image scaling relative to horizontal that makes every IEM look closer to (whatever his default du jour) target, and to each other. Even with all this, this graph you posted clearly shows significant broadband (medium to low-Q) differences between them. I talk about why this is important for audibility here. As per that, you can see below (with zoomed vertical scaling from the default for clarity to counteract the squashed vertical image scaling), the Dusk has a very broadband deviation from the Red all across the entire sub-bass to lower midrange region, peaking up to 4 dB in the upper bass ('thump'), as well as a fairly broadband deviation over a 3000 Hz range in the mid-treble where our hearing is more sensitive, peaking at a large 6 dB difference, and then of course the huge difference in the upper treble (which the B&K 5128 purportedly is a more accurate representation of, note I'm talking about a general level difference up here, not specific peaks which may differ among individuals). All of this will result in significant audible differences, the latter applicable in particular to younger listeners, who I believe the reviewer in question is.
So you are strongly recommending we get 2 pairs each?You're misremembering. The range of frequencies the IEM algorithm uses is 20 Hz to 10 kHz, with only one of three variables (limited weighting) restricted to > 40 Hz.
I (and the reviewer who's impressions we're referring to, and as I understand @lazarian ) are talking about the Red sans adapter.
Whether it's a deliberate choice is irrelevant. Grados are deliberately tuned with huge treble peaks and many people claim to love them in uncontrolled sighted listening.
Crinacle's clone coupler measurements cannot be used to accurately judge Harman target adherence; they trend towards underestimating the ear gain, as evidenced by comparing his Dusk measurements to Oratory's professional measurements linked above using the exact same (genuine GRAS RA0045) coupler Harman used when devising their target (yes there are other variables such as unit variation, but the trend is there). This error in the clone coupler is likely down to acoustic impedance differences from the GRAS RA0045, which means there wouldn't be a constant error transfer function between them for all IEMs, so the former cannot even be used to accurately judge differences between IEMs.
Again, we're talking about the response without the adapter, and you need to normalize at 500 Hz as per the industry standard. Also, Crinacle's graph tool has ridiculously squashed vertical image scaling relative to horizontal that makes every IEM look closer to (whatever his default du jour) target, and to each other. Even with all this, this graph you posted clearly shows significant broadband (medium to low-Q) differences between them. I talk about why this is important for audibility here. As per that, you can see below (with zoomed vertical scaling for clarity to counteract the squashed vertical image scaling), the Dusk has a very broadband deviation from the Red all across the entire sub-bass to lower midrange region, peaking up to 4 dB in the upper bass ('thump'), as well as a fairly broadband deviation over a 3000 Hz range in the mid-treble where our hearing is more sensitive, peaking at a large 6 dB difference, and then of course the huge difference in the upper treble (which the B&K 5128 purportedly is a more accurate representation of, note I'm talking about a general level difference up here, not specific peaks which may differ among individuals). All of this will result in significant audible differences, the latter applicable in particular to younger listeners, who I believe the reviewer in question is.
Interestingly you went all the way to sample 5 to find the least matching lol. Broadband differences of at most ~1db up to 5khz apart from the 200hz and 6khz sections I'd suggest are going to sound quite similar for many genre's.You're misremembering. The range of frequencies the IEM algorithm uses is 20 Hz to 10 kHz, with only one of three variables (limited weighting) restricted to > 40 Hz.
I (and the reviewer who's impressions we're referring to, and as I understand @lazarian ) are talking about the Red sans adapter.
Whether it's a deliberate choice is irrelevant. Grados are deliberately tuned with huge treble peaks and many people claim to love them in uncontrolled sighted listening.
Crinacle's clone coupler measurements cannot be used to accurately judge Harman target adherence; they trend towards underestimating the ear gain, as evidenced by comparing his Dusk measurements to Oratory's professional measurements linked above using the exact same (genuine GRAS RA0045) coupler Harman used when devising their target (yes there are other variables such as unit variation, but the trend is there). This error in the clone coupler is likely down to acoustic impedance differences from the GRAS RA0045, which means there wouldn't be an exactly constant error transfer function between them for all IEMs, so the former cannot even be used to accurately judge differences between IEMs.
Again, we're talking about the response without the adapter, and you need to normalize at 500 Hz as per the industry standard. Also, Crinacle's graph tool has ridiculously squashed vertical image scaling relative to horizontal that makes every IEM look closer to (whatever his default du jour) target, and to each other. Even with all this, this graph you posted clearly shows significant broadband (medium to low-Q) differences between them. I talk about why this is important for audibility here. As per that, you can see below (with zoomed vertical scaling for clarity to counteract the squashed vertical image scaling), the Dusk has a very broadband deviation from the Red all across the entire sub-bass to lower midrange region, peaking up to 4 dB in the upper bass ('thump'), as well as a fairly broadband deviation over a 3000 Hz range in the mid-treble where our hearing is more sensitive, peaking at a large 6 dB difference, and then of course the huge difference in the upper treble (which the B&K 5128 purportedly is a more accurate representation of, note I'm talking about a general level difference up here, not specific peaks which may differ among individuals). All of this will result in significant audible differences, the latter applicable in particular to younger listeners, who I believe the reviewer in question is.
View attachment 291475
Today I am comparing the Red to my Dusk, and they are very very similar in bass and mids tonality, with the Dusk being hotter in the treble. Red sounds like a rounder Dusk, easy going, and still very high resolution. Sure the plastic chassis looks and feels cheaper, and the brownish red faceplate is not as noble looking as the brushed steel, but when we factor the price difference... The Red is a Dusk killer, there, I said it.Got mine today. First impression is of quite stronger bass than what I was expecting (narrow bore, without adapter), perfect mids and gain, and somewhat dark sounding treble in the air region. But overall I already like it a lot.
Today was a long and tiring day, so let's see if my initial impression changes on the next few days.
At least I'm not going mad when I thought much the same lol.Today I am comparing the Red to my Dusk, and they are very very similar in bass and mids tonality, with the Dusk being hotter on the treble. Red sounds like a rounder Dusk, easy going, and still very high resolution. Sure the plastic chasis looks and feels cheaper, as the brownish red faceplate is not as noble looking as the brushed steel, when we factor the price difference... The Red is a Dusk killer, there, I said it.