Who's on first?So, someone gets quality in-wall speakers to get rid of the clutter in the room and then...? add a sub?
Who's on first?So, someone gets quality in-wall speakers to get rid of the clutter in the room and then...? add a sub?
In wall and on wall subs are quite common in the custom install market that is the target of this speaker.So, someone gets quality in-wall speakers to get rid of the clutter in the room and then...? add a sub?
So, someone gets quality in-wall speakers to get rid of the clutter in the room and then...? add a sub?
I was there for work, i had was hired to program his new minidsp and dirac for an other system in the private part of the house. I just had to wait a bit in that waiting room because he was still busy when i arrived and asked him what system that was. The amp was in the server room of that office, and distributing music to all rooms in the office part of the building. His other system are older B&W 800D (MKI) with pass labs xa series amps and a pair of SVS subs with the minidsp flex as xover and room correction. So compared to that, the SB25 system is very cheap...Deary me!
Nothing serious, I hope.
If in your shoes, the sound quality of the background music would be the last thing on my mind, you must have nerves of steel!
Unless, you were the high class lawyer.
In that case, I hope you choke on'em.
Very interesting question.I wonder if designers like Kali do less correction for some valid acoustic reason or if they are trying to be economical with dsp.
I've never seen 24" on center drywall, only 16" on center drywall.
I still wouldn't want it attached to just the drywall, though.
(Please correct me if I am wrong): In your case, the studs are not there to support the precast walls but to allow you to have points of attachment to the precast walls.My basement's precast walls have integrated studs at 24" o.c. and the remaining theater walls were framed at 24" o.c. for sound isolation and additional damping of bass resonances; a relatively common practice in high-performance audio projects.
Agreed that attaching to drywall alone wouldn't be my first choice either.
Thank you for lending them out for this review.Long time lurker first time poster, I lent the speaker to Amir for review so I figured I'd post my opinion on the system.
(Please correct me if I am wrong): In your case, the studs are not there to support the precast walls but to allow you to have points of attachment to the precast walls.
Other than that, there is actually no need for a stud system at all.
Since all the housing that I have owned/do own in this country has been "stick" built housing, that is not something that I see here.You are correct. That's also true of the double-walls and false-wall bass-traps in my space; none of them are load bearing. Not an uncommon practice in the use case for upper-tier in-wall and on-wall speakers.
Since the crossover is in the speaker, you absolutely can use an amplifier of your choice. You have to make accurate measurements and correct for the response as they have.Being in the market for slim on-wall speakers, these are of some interest to me, but the deal-breaker must surely be the crazy cost of the dedicated amplifier unit? (I have been quoted close to £6000 by a UK dealer, just for the amp). Given that these speakers use standard binding posts and have an internal crossover, does anyone know of a good reason these couldn't work just as well with third-party amplification? I'm aware that the ALC-1809 has pre-programmed DSP profiles, but surely those could be replicated with something like a miniDSP Flex HT?
Yeah I’m the one that donated the speaker, I’ve got a 5.2 setup using five SB25’s, two of their ported 12’ subs, and the ALC-1809 amp, and I paid $10,500 before tax last November, I think retail was about 15% above that. I tried not to sound like too much of a fanboy in my earlier post but honestly I love the system, I wanted a good looking compact on wall system that slams and that’s exactly what it is. One other thing is they occasionally update their speakers’ DSP programs (which the user can download to the ALC 1809) to improve their linearity. A new profile for this speaker was rolled out just after Amir tested it, I can’t imagine it is as flat as their website shows, but the spinorama they had on their site previously (before the update) was a bit choppier and was closer to Amir’s measurements.Thanks for the informative post, as always, Amir. Of note, the pricing info that you quote, which I assume was provided by the loaner perhaps, seems to be possibly erroneous. Theory, being a sister project of Pro Audio Technology, chooses to provide products to custom installers, integrators and a handfull of dealers through regional distributors. They do provide some semblance of "MSRP" at trade shows and occasionally press, but don't readily provide them to the general public. These "dealers" then price the products, install, design, etc. based on their margins and business practices accordingly as a package. So it is sometimes hard to determine exactly what the products cost. There are some "reviews" out there that do list MSRP, but most of those are now several years old. Internet searching reveals no official MSRP for any of Pro Audio Tech or Theory products. If the loaner paid the quoted prices, it could reflect more than simply the product perhaps.
Theory, like many electronic brands, has increased prices over the past several years, particularly with the component supply shortage and production cost price increases seen industry wide. The ALC-1809 was $3,500 and SB25 $895 each when introduced in 2019. I have recently inquired from a couple of US integrators near me who were willing to sell just the Theory products to me and was quoted MSRPs of $1095 for the SB25 and SB25IW and $5000 for the ALC-1809. They are not inexpensive, but a pair of SB25s can be had for MSRP of under $2200 rather the $3200 mentioned, not an insignificant difference value wise. A little negotiation at times, can yield better pricing still in my experience .
Keep up the great work!
Full MSRP is passed on to the customer by the CI channel for such specialty products. And likely there is MAP obligation for the same indicating that the online sale price is what a customer would get in a custom integration bid. But yes, as the owner mentions above, COVID price hikes are definitely in play here.So it is sometimes hard to determine exactly what the products cost.
Which new dsp are you referring to, an SB25 preset or ALC-1809 firmware?One other thing is they occasionally update their speakers’ DSP programs (which the user can download to the ALC 1809) to improve their linearity. A new profile for this speaker was rolled out just after Amir tested it, I can’t imagine it is as flat as their website shows, but the spinorama they had on their site previously (before the update) was a bit choppier and was closer to Amir’s measurements.
An SB25 preset, it went from version 1.4 to 1.6Which new dsp are you referring to, an SB25 preset or ALC-1809 firmware?