And did they?‘Given’ I wish, I sadly have never been given anything by anyone but the stands are properly engineered and I wanted to see if they made any difference under the Mesanovic RTM10s we had at the time.
That is just the lighting and resolution of the picture. All are the same with rounded corners.Are these the same cabinets as on audiophonics with rounded edges?
No.And did they?
that is not generally true. depends on the construction. In many cases, sensitivity can be traded for lower distortion, eg linearising Bl(x) comes at a loss of peak Bl etcIn theory higher sensitivity speakers produce less distortion and suffer less compression for a given SPL.
Fair comment. To clarify my overly simplified post, it was based on the proviso that higher sensitivity arises from the use of more drivers compared to a lower sensitivity speaker, e.g. 3-way versus 2-way, where it is often the case that additional dedicated bass drivers of the 3-way reduce distortion at low frequencies, as well as allowing the mid driver to require less baffle step loss equalisation, therefore increasing overall sensitivity.that is not generally true. depends on the construction. In many cases, sensitivity can be traded for lower distortion, eg linearising Bl(x) comes at a loss of peak Bl etc
That can’t be a fair comparing. To be fair it should be compared as driver itself in same size and same DCR.Fair comment. To clarify my overly simplified post, it was based on the proviso that higher sensitivity arises from the use of more drivers compared to a lower sensitivity speaker, e.g. 3-way versus 2-way, where it is often the case that additional dedicated bass drivers of the 3-way reduce distortion at low frequencies, as well as allowing the mid driver to require less baffle step loss equalisation, therefore increasing overall sensitivity.
But for your fair comparison you will sacrifice bandwidth to achieve higher sensitivity.That can’t be a fair comparing. To be fair it should be compared as driver itself in same size and same DCR.
Sorry to be a prick, but i see différent cabinets than the ones sold on audiophonics
Some of previous version models were sold in Korea as edged corner shape. All global selling speakers will be rounded.Are these the same as on audiophonics with rounded edges?
Step response means phase. LR4 has phase delay. What you see is the phase delay. Step response can’t be a single triangle as passive speaker with proper crossover. It can be only achieved by FIR.If the two drivers are physically aligned and there is an LR4 crossover why is the step response not perfect?
Ok got it thanksSome of previous version models were sold in Korea as edged corner shape. All global selling speakers will be rounded.
Iv got some fetching swimwear i could gift you , Amirm gave the little number to me years ago . After somewhat shamefully putting on a lot of fat recently I no longer look good in the outfit or if am being honest i cant even stretch it over my lardy frame ! The G-string slices me like im some pastrami at Katz's deli .Given’ I wish, I sadly have never been given anything by anyone
Next time I'm in Katz's I'll have that vision in my head.The G-string slices me like im some pastrami at Katz's deli .
physical alignment does not equal phase linear and LR4 sums into an all pass which is not phase linear, ie delays the bass but not the treble. then you have the bass response which is a minimum phase high pass which again is not phase linear. a phase linear high pass has pre ringing. now is that a perfect transient response ? all of this is generally misunderstood.If the two drivers are physically aligned and there is an LR4 crossover why is the step response not perfect?
This question has already been addressed, but I thought some plots might be helpful. Here's the summed magnitude and phase response of an ideal 1kHz LR4 crossover:If the two drivers are physically aligned and there is an LR4 crossover why is the step response not perfect?
DistortionSuch a compelling proposition, these speakers.
If valuing value for money, I'm finding it hard to figure a compelling case to get the C6B over the F6B. Measurements so similar... and will have eq/room correction anyway.
Thoughts?
Ah, good point. Not a huge difference though, right? Reckon if not really pushing the SPL limits anyway, this would be an inaudible non issue? Fair to say much of the music I listen to is sooo laden with saturation anyway!