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GRIMM Audio LS1c & SB1 DSP Speaker Review

Rate this speaker system:

  • 1. Poor (headless panther)

    Votes: 10 3.2%
  • 2. Not terrible (postman panther)

    Votes: 20 6.3%
  • 3. Fine (happy panther)

    Votes: 114 36.1%
  • 4. Great (golfing panther)

    Votes: 172 54.4%

  • Total voters
    316
That has always been the Meyer modus operandi: a superficial appeal to engineering and evidence that falls apart with scrutiny. Ditto ATC, Harbeth.
I'm pretty much sure that the feedback is analog, because at least the woofer is analog. To say "from attosecond to attosecond" is just saying, not to be taken literally. It's legal in common conversation.
 
I will call BS on Meyer Sound on this one. Feedback output microsecond by microsecond? That means the control system sampling rate is in the order of 1 MHz.

Lol...I never have a problem with calling any manufacturer's marketing claim BS !!!! Same goes for half the "engineering specs" that are all so often marketing inspired.

Heinrich may be right though about the servo maybe being analog, no clue. Afaict, Meyer's self-powered speakers are still all analog.
 
I wonder why they went for the north vertical diffraction additions?

//
 
One of the most tiresome trends on ASR right now is perhaps, ironically, this rise of technically-proficient yet pedantic, dogmatic and nihilistic users that tend towards an overly stringent definition of technical merit than evidence supports.

I vote "I asked chatGPT..." posts as a very close second.

Why is Finland making so many good speakers? ;)
I asked ChatGPT:

"Finland is anechoic down to 20Hz so designers can quickly and easily hear aberrations without specialized equipment"
 
I will call BS on Meyer Sound on this one. Feedback output microsecond by microsecond? That means the control system sampling rate is in the order of 1 MHz.

This is from the lecture notes of the Feedback Control Systems class at MIT OCW 16.30 (lecture 20). When the sampling (update) rate of the digital control system is 15× the required system bandwidth, the impact of processing delay on performance becomes insignificant. That means, if the servo sub works to 200 Hz, a sampling rate of 3000 Hz is all it needs.

View attachment 455325
While you highlight the pain points well, there are some more remarks.
Sampling essentially adds a delay of about Ts/2 yeah. The 15 times sampling is a rule of thumb for which it becomes feasible to build controllers, however higher sampling reduces the sampling latency and can thus improve control performance (can respond faster and thus achieve higher bandwidth/higher stability margin/higher gain.

Increasing sampling rate comes at a price though. As Fs increases the bandwidth that we actually use becomes smaller relative to the Fs. As a result we need more filter coefficients to filter at our desired frequencies and we have less time to do so! --> increased hardware cost.

Furthermore it assumes that the sampling latency is the dominant latency. Latency introduced in reconstruction filters of sigma-delta converters is not neglegible. Latency introduced by interfaces between ADC-DSP-DAC is not neglegible. To give some context, I believe the ADAU1777 is used in the SB1-dmf, it has a latency of 5us analog-to-analog (which is INCREDIBLY LOW, I have yet to find performance close to it).
 
My first post and registered just to say thanks to Amir for the test of the LS1 and to everyone contributing to the thread - I learned a lot. Like many, I’ve always wanted to see beyond the manufacturer’s published data - Grimm has put out a decent amount of data and they are always consistent with their marketing. I landed on the LS1be/SB1 for my home listening enjoyment (a fool and his money :) ), and so far they’ve been great. No objective data to share…yet. But I trusted the process (toe-in, time delay, positioning after positioning) and found a pleasant listening experience surpassing what I achieved with previous setups - all personal attributes, and I think they look cool and have high WAF.
 
My first post and registered just to say thanks to Amir for the test of the LS1 and to everyone contributing to the thread - I learned a lot. Like many, I’ve always wanted to see beyond the manufacturer’s published data - Grimm has put out a decent amount of data and they are always consistent with their marketing. I landed on the LS1be/SB1 for my home listening enjoyment (a fool and his money :) ), and so far they’ve been great. No objective data to share…yet. But I trusted the process (toe-in, time delay, positioning after positioning) and found a pleasant listening experience surpassing what I achieved with previous setups - all personal attributes, and I think they look cool and have high WAF.

Despite a lot of differing opinions in this thread, I think you can rest assured that you have a pretty good setup with the Grimm! :)
 
My first post and registered just to say thanks to Amir for the test of the LS1 and to everyone contributing to the thread - I learned a lot. Like many, I’ve always wanted to see beyond the manufacturer’s published data - Grimm has put out a decent amount of data and they are always consistent with their marketing. I landed on the LS1be/SB1 for my home listening enjoyment (a fool and his money :) ), and so far they’ve been great. No objective data to share…yet. But I trusted the process (toe-in, time delay, positioning after positioning) and found a pleasant listening experience surpassing what I achieved with previous setups - all personal attributes, and I think they look cool and have high WAF.

Lucky you! I’m sure I’m not the only one who envies the fact you own the speakers!
 
Despite a lot of differing opinions in this thread, I think you can rest assured that you have a pretty good setup with the Grimm! :)
Thanks! The opinions that were shared that drew attention from the datapoints were very much real (at least in my room) in terms of bass output/reach were the challenges I experienced here in my home. But after working to address them as best I can, to me, it is a sound that is more presenting, instant and where things are not overly emphasized.

Some room issues to deal with but will be enhancing sonics with further acoustical treatments that I can move in and out. Hoping to satisfy my curiosity with some amateur measurements once I obtain a digital interface that I can properly use. Hope to share these if I can get around to it.

Oh yeah and I ordered some longer cables to try to reposition the SB1 around the room too. Fun times ahead.
Lucky you! I’m sure I’m not the only one who envies the fact you own the speakers!
The LS1 were kind of tricky to finally demo (amongst the other good ones; kii, dutch&dutch, ggntkt) not so much in the way that they are bespoke or exotic-unobtainium passives - they are far from that…they’re in the field and was hoping to avoid visiting a recording studio which obviously does not emulate a domestic space let alone intimidating. Though funny enough, this setup would be more at home in a studio. I also wanted to see how it could be conveniently controlled (MU1) and what limitations/enablements were designed with it so waiting patiently to do so was a long time to endure. But thanks!
 
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