Didn't suggest that, just pointing out that you doing such measurements don't change anything about them not being available (thus my original comment of waiting for more data on more models).1) I'm not about to tell Jim how to run his business. 2)
I hate to quote Olive & Toole to someone who obviously knows their work, but the preference score, as flawed as it is, includes global and local smoothness of the predicted in-room response for a reason. This score was determined via the listening tests.Do you really know that in a 2-way "there's too much compromise in tonality" unless you go to extreme measures with the woofer size or crossover point? Have you actually conducted listening tests, or are you just going on jigs and jags in the Spinorama directivity index and assuming that will cause tonal coloration?
I do agree that direct sound is massively more important than what the PIR may show, but this is obviously something that depends on listening distance; same for power response.In addition, I think the importance of controlled off-axis response has been exaggerated, at least for angles greater than 30 - 40 degrees
I don't have enough datapoints by myself to say so, but I did have that experience when comparing Dali Zensor 1 (relatively wide) with Genelec 8030Cs and only extreme metal. I mostly quote @echopraxia who seems to be quite reasonable while having experience with both very wide directivity speakers (Ascend Sierra RAAL Towers, Revel Salon 2) along with medium ones (Neumann KH310, Genelec 8351B), all with excellent on and off-axis accuracy.Are you saying electronic music sounds crappy on wide-dispersion speakers?
Is that supposed to prove anything? As you can see, I'm in France.If so, you perhaps should have paid a visit to my room at CAF last weekend when someone brought in a CD loaded with the stuff
Anyway, you asked for listening tests, do you have any study grade ones about the relative important of dispersion width and smoothness? (in stereo, please, mono will benefit too much, otherwise).
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