Yes half-ass engineering seems to be an all too common feature of the audio industry. Possibly because the industry, in decline for a decade or two, doesn’t attract it fair share of solid, capable engineers. But to be fair NAD does get things right more often than many of its competitorsGiven the feature set, I'd be fine with "good enough", on the DAC side.
I'm actually more concerned about the phono stage being botched or half-ass.
Inside the M33. Kind of blurry picture View attachment 77790
@restorer-john , a breath and it's climax.
Yea yea stop pretending you have control!Fake VU needs to have color selection.
Blue-white clashes with my toobs.
Yeah, its got 2 of most things, as do humans!Everything -- dual DAC chips, dual power supplies, etc.
Not if you are color-blind.The VU color on the other hand...
That's serious business. It needs to have color choices.
Dual mono what?
Are you a dual mono purist? Right down to the paired AC power cords?
Me, dual amplification mono is two, preferably mirror imaged, separated with no common parts other than the case, the power switch and maybe a single power cord. Even a dual (L/R) tapped main transformer is very much borderline disqualification.
Yes half-ass engineering seems to be an all too common feature of the audio industry. Possibly because the industry, in decline for a decade or two, doesn’t attract it fair share of solid, capable engineers. But to be fair NAD does get things right more often than many of its competitors
How would we know though in all honesty?
Unbiased observers with industry knowledge. There's plenty here on ASR. I'd put it a three decades of decline, only halted and in turnaround in the last decade.
Most of the legendary engineers who drove the big players through the 70s, 80s and 90s are long since retired or departed (R.I.P.).
The 2 channel part of the industry was in free-fall from the early-mid 1990s with the big players, due to massive cost cutting and the emergence of HT which essentially was the nail in the coffin of high fidelity. The first to go were the costly, older, senior people nearing retirement.
Thank goodness for the partial turnaround due to the desire for easy connectivity, clean design lines without unnecessary bells and whistles, operational simplicity and a return to the purity of minimally processed acoustic recordings.