But no better?They are good too!
Keith
But no better?They are good too!
Keith
Is that the LS50 metas or LS50W?I have compared the LS50 with sub to the 60’s and the 50’s are excellent with perhaps just a slight preference for the 60’s, I was really thinking of comparing the yes to really full range loudspeakers Kii/8C where they might just need a bit of bass extension , depending upon your musical tastes.
Keith
the drivers are the exact same so it is just a matter of amp preference (but it better be a decent one to do them justice).Is that the LS50 metas or LS50W?
Apart from the added wireless capability wouldn’t the active crossover mean at least better distortion figures in theory and hopefully other audible benefits.the drivers are the exact same so it is just a matter of amp preference (but it better be a decent one to do them justice).
Others may have stronger opinions than me. I think a great dedicated amp is probably just as good as anything KEF encloses in that tight space, but they sound awesome as they are.Apart from the added wireless capability wouldn’t the active crossover mean at least better distortion figures in theory and hopefully other audible benefits.
Others may have stronger opinions than me. I think a great dedicated amp is probably just as good as anything KEF encloses in that tight space, but they sound awesome as they are.
If you had a choice i would pick the LS50Wii over LS50meta. Better bass extension and distortion measurements. Can go louder and dont need to cross subs as high.
After that active vs passive is more a personal choice, sometimes coloured by old audiophile hangups
The advantage is having the amps directly coupled to the drivers without passive crossover components inbetween. Then DSP allows optimal bass extension tuning. There definitely is audible merits despite same drivers.I really can't say. The drivers are the exact same so I doubt they have different audible merits. It really depends merely on what is more convenient to you. They are all extremely capable and their flexibility offers a lot of customization to your needs.
If I started from scratch right now, I'd pick the active LS50Wv2, but that's just me.
The advantage is having the amps directly coupled to the drivers without passive crossover components. Then DSP allows optimal bass extension tuning.
I vaguely remember devialet amps had some config for certain speakers to improve bass extension - I guess a similar concept?
To me the comparison would be LS60 versus LS50Wii + 2x kc62. LS50meta is not quite in the game.
That kind of purist thinking got me 2 fried KEF factory matched tweeters. Direct coupling is a gamble no matter whom it may be. I lay'd out the ESD procedures for a corporation and it took me till lunch to copy and paste a Google search into something digestible and fast as it was req'd immediately. It entailed all aspects of ESD procedure and the why with discharge rates and such. I forgot most of it but it prevails everywhere and is insidious and nasty. I think a active speaker manufacturer that is able to DC couple, dissipate this energy and save drivers is for sure the real deal but I don't see it happening. It's just too high of a voltage.The advantage is having the amps directly coupled to the drivers without passive crossover components inbetween.
To me the only issue with the LS60 or any speaker that I plonk down over $5k for is...Do you mean using LS60 alone with a TV?
The simple solution would be an avr with audyssey/dirac/ypao etc, or a minidsp/dirac unit (cant remember if they now have hdmi input, but if just 2 channel can maybe use optical?)
That's what I have now, a Denon AVR with audyssey, but the LS60 have HDMI-ARC in so that would make the AVR obsolete, unless you keep the AVR and go analog in to the LS60 which for me feels like having a towtruck for my new car . Then it's better to go for AVR, passive LS50meta and 2 subs, guess that will sound better then the LS60 without room correction (just speculating because I never heard this setup).Do you mean using LS60 alone with a TV?
The simple solution would be an avr with audyssey/dirac/ypao etc, or a minidsp/dirac unit (cant remember if they now have hdmi input, but if just 2 channel can maybe use optical?)
Yeah, I feel you are right. Amir advocates that room correction / DSP below the room transition point makes the biggest difference.That's what I have now, a Denon AVR with audyssey, but the LS60 have HDMI-ARC in so that would make the AVR obsolete, unless you keep the AVR and go analog in to the LS60 which for me feels like having a towtruck for my new car . Then it's better to go for AVR, passive LS50meta and 2 subs, guess that will sound better then the LS60 without room correction (just speculating because I never heard this setup).
This seems to be a common opinion amongst manufacturers big enough to have a marketing department, that their users are idiots not to be trusted, it's really annoying.I asked a KEF representative if there is an option for PEQ to address roommodes, (both representatives present went: Whoah, then you need to know what you are doing
ugh yeah. ideally they would just incorporate a room correction algorithm. Dirac or SONOS type thing that uses your cellphone mic. in mind not really any all in one streaming solution without that if you have to use an AVR or minidsp, etc. boxThis seems to be a common opinion amongst manufacturers big enough to have a marketing department, that their users are idiots not to be trusted, it's really annoying.