Cosmos ADC with 1.7V gain setting withstands 10Vrms input.@IVX , reagarding the input voltage ranges of Cosmos ADC, could you comment about their break-up voltage limits. I mean, how easily you can brake up the inputs, for example if you accidentally choose a wrong input range.
RME ADI-2Pro FS DAC +19dBu (with THD pre-compensation) --> E1DA Cosmos ADC @192k, 6.7v. I obviously need a better sine generator
View attachment 159429
With better HD compensation, I even reached 120.9dB SINADJust for fun
DAC: RME ADI-2 Pro fs R - Sum of 2 channels output - 19dBu range +0.5dB - HD2-3-5 compensation
ADC: E1DA ADC Grade A (128.2dBA measured) 6.7V range Mono mode
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With better HD compensation, I even reached 120.9dB SINAD
I'm not too bothered by it. It's quite small, and I typically remove any DC offset anyway.Guys, some Cosmos ADC users complain regarding the DC offset is too high. I have no idea why they care about that, anyhow it is an audio ADC i.e. inherently AC machine but what do you guys think about that?
How many DC offset? When recording an ADC signal and playing it back through a DC DAC and DC amplifier, the speaker systems may not like DC offset of more than 50-100 mV.what do you guys think about that?
ok, however, you called 50mV as a margin DC offset, so only the DC-coupled amp 312W@8ohm will reach 50mV, correct? A bit surrealistic combo to me ADC->DC_DAC->DC_amp>50Vrms output.This is not much for me. But there are different people
On mine it's about 0.0008 times full scale.There is no relationship between DC offset and power. DC offset produces a constant offset for the woofers. What is the output offset without signal?
Problem I see is when this offset fluctuatesok, however, you called 50mV as a margin DC offset, so only the DC-coupled amp 312W@8ohm will reach 50mV, correct? A bit surrealistic combo to me ADC->DC_DAC->DC_amp>50Vrms output.
A high pass to get rid of the DC is part of ANY audio ADC out there, so DC is typical below -100 dBFS. Nobody wants to have DC in their recording. I already explained to Ivan (no clue why he wrote 'I have no idea why they care about that' above):
Quote: the Cosmos ADC has a basic problem - the high amount of DC (typcially -56 dBFS). This sometimes causes measurement data to be wrong (for example in HpW the RMS value always includes DC), and for audio recording it causes pops/clicks on start/stop and edit of a recording. /Quote
It is just bad practise and against the standard, will only cause unexpected issues sooner or later.
Now the issue with ESS ADCs is that their included High Pass, which they dared to rename DC Block in their latest data sheets, is a sloppy implemented 25 Hz filter, see this graph:
View attachment 163106
And improves DC only to -85 dBFS. It's unusable for both measurements and audio recording. ANY other ADC out there will give you a steep 1 Hz filter and crunch DC down to -130 dBFS!
So I suggested to Ivan to try the integrated DC offset option, a unique feature of the ESS, which would allow to compensate the DC similar to the THD compensation, and could be added easily to the Tweak app. Ivan managed to reach -120 dBFS this way, but as we are talking microvolts this offset is a little bit different per device, and resulted in -90 dBFS on my unit. This ended in the idea to add a basic DC offset to all units, to get better than the default -56 dBFS, and additionally add the DC offset settings to the Tweak app.
Now its on Ivan what he does.
I'm not sure, but maybe @IVX was referring the "no idea" to the fact of "needing better than 1mV/1V", more than something like "no idea why they care about having nothing done on DC offset"A high pass to get rid of the DC is part of ANY audio ADC out there, so DC is typical below -100 dBFS. Nobody wants to have DC in their recording. I already explained to Ivan (no clue why he wrote 'I have no idea why they care about that' above)...