There are three basic ways of using an opamp as a buffer: inverting and non-inverting for single-endedLet's give Danny the benefit of the doubt and say he didn't deliberately put his finger on the scale and make his recommendations progressively louder, then something is unusual with those 'artisanal' op-amps as they are louder in the recordings... Maybe someone would know how that could be possible without a deliberate cheat? The most recommended one is actually 2dB louder and clipping the recording. This is now 2 of these op-amp comparisons by true believers that are tainted in the same manner in favor of the desired conclusion. A 2dB boost over the entire audible band should be so easy to distinguish, even an audiophile's wife could hear it.
and differential for balanced inputs
In all three cases, the gain is entirely determined by the circuit (the ratio of the resistors), and NOT by the opamp itself. The input impedance of any opamp is so high (megaohms), in any competently designed circuit a change in opamps (with remotely compatible types) can not have a significant change in gain.
Which means if the device isn't doing weird stuff by design, a gain change of 1 or 2 dB is impossible. Therefore it must be either sloppiness or deliberate manipulation in this case. Take your pick.