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Denon AVR-A1H High-end AVR Review

Rate this AVR:

  • 1. Poor (headless panther)

    Votes: 7 2.7%
  • 1. Waste of money (piggy bank panther)

    Votes: 41 15.6%
  • 3. Fine (happy panther)

    Votes: 159 60.5%
  • 4. Great (golfing panther)

    Votes: 56 21.3%

  • Total voters
    263
I believe that PowerDVD can play BluRay Atmos discs, but it doesn't perform the decoding and object rendering that an Atmos receiver can do.
Instead, the Dolby True HD channels are passed through as bitstream over HDMI to a receiver or processor, and the Atmos processing is done there.
What we're trying to achieve here is for the PC or Mac to perform the Atmos processing so the PC can generate 16 channels of LPCM digital audio.
With the right HW & SW, these can be output using USB, AES/EBU, MADI, HDX, AVB, Dante, Ravenna or Thunderbolt, but not HDMI which only carries 8 channels of LPCM.
So instead of separates in a home theater you'd rather have separates from the PC?!!!

At least for myself, life is too short to create equipment combos when something exists that just works (like the A1H)!
 
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Could the above Amir statement be cause for the (very) low outcome?

Wow, that's quick, somehow I missed his remarks, thank you so much!

Yes it would make sense if it is a noise issue. If we consider the fact that SINAD include both distortions and noise, so if SINAD of the X4800H and Cinema 40 are practically the same, it is theoretical not possible for the SNR/DR to be 12 dB lower than the Cinema 40. So, I am going to assume Amir has already solved the puzzle, may be @welwynnick would update his very informative/useful chart with a cautionary note like Amir did.
 
Again, thanks to @Brambo67 , I now feel comfortable opting for the AVR-X4800H (don't need it but good to have a backup unit) if it ever goes on big sale.:D
 
So instead of separates in a home theater you'd rather have separates from the PC?!!!

At least for myself, life is too short to create equipment combos when something exists that just works (like the A1H)!
Keep in mind in case you don't know that (if I remember right), he's one of those who could, or at least think/believe he could hear difference between gear that may measure well enough for you and I to consider "transparent". Also keep in mind there are always people who believe either measurements don't tell everything audible, and/or there are things that makes audible differences yet not ever measured. I don't buy those kind of arguments because they are not logical, but many do and it may not be possible to change their mind, like they can't convince it...lol...
 
The A1H is very tempting for the reasons EWL gave, it's one box that indeed "just works" and is probably better than any other single box.

My ambitions are a bit higher because I'm not aware of any AV equipment that sounds as good as stereo equipment, and I don't think it has to be that way.

However, I most definitely do not think that we can hear anything that we can't measure. The difficult bit is to establish quite where the level of transparency sits. On my home turf I'm the irritating objectivist who's always prattling about how measurements are where the truth is. I try to straddle both the objectivist and subjectivist camps because I think that's the right thing to do, but it does mean I make enemies on both sides :-(

Where I'm at now is moving away from relying on SINAD @ 1V/1W/1%/1dB/1kΩ/1kHz/whatever , which is best case performance, and looking at worst case performance across the whole audio frequency/power/load envelope. Those tests are often missed, which is why I was so pleased that Amir posted a comprehensive set for the A1H that included THDN vs frequency vs power.

My other ambition is to keep digital audio and video separate, hence my interest in Dante. As it happens, right this minute I'm being tempted by a great offer on a JBL SDP-55 so I can have a Dante processor, notwithstanding all it's other shortcomings.

There's much more discussion in these threads:


 
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Where I'm at now is moving away from relying on SINAD @ 1V/1W/1%/1dB/1kΩ/1kHz/whatever , which is best case performance, and looking at worst case performance across the whole audio frequency/power/load envelope. Those tests are often missed, which is why I was so pleased that Amir posted a comprehensive set for the A1H that included THDN vs frequency vs power.
I have always look for the worst since day one, but the most important factor is, as you mentioned, where the transition point is. It is likely a range, in order to cover the different point for different people. For distortions, it may be -40 dB to -90 dB? I, like many other ASR members have taken those Klippel tests, and I did much better than the average scores even though I have hear loss in the around 4 kHz like most older people so. Better than Amir's iirc, he's honest enough to tell his score lol..

Do you have links to studies with test results on the "audibility" topics that you think are reliable and highly credible?

Back to the A1H, of all the measurements Amir has taken, I couldn't find a single one that indicated this thing should not be considered transparent. It also measured better than many so called separates, yes stereo separates included.
 
My ambitions are a bit higher because I'm not aware of any AV equipment that sounds as good as stereo equipment, and I don't think it has to be that way.

That's a generalized/blanket statement, it almost sounds like you are saying the likes of the A1H, AV10, C30, AVM90 could not sound as good as any stereo equipment, I doubt you mean that. Do yo mind clarifying a bit, be a little more specific? I am just being curious again.
 
Do you have links to studies with test results on the "audibility" topics that you think are reliable and highly credible?
I found this when I started looking at audio interfaces. In blind tests, the panel preferred the units measuring 117 and 110dB SINAD over those measuring 105 and 102dB.
I subsequently bought an AVID HD IO multi channel DAC.


In particular, see the point about finding the test result with the best positive result, instead of finding the worst negative result, which is just a race to the bottom. Dolby did this when they tried to prove Dolby Digital was transparent.
 
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Back to the A1H, of all the measurements Amir has taken, I couldn't find a single one that indicated this thing should not be considered transparent. It also measured better than many so called separates, yes stereo separates included.
This is one of the main reasons I haven't jumped onto separates. If there isn't a slam dunk difference from AVRs, WTH am I paying so much more money for them?!!! Just to tell people I own "separates" as a badge of honor?

I don't have a ton of audiophile friends so who am I showing off to when I budget $10-$15k for audio? I think I'm at the age where I rather splurge on speakers that could pass for art (can probably be appreciated by more)!
 
That's a generalized/blanket statement, it almost sounds like you are saying the likes of the A1H, AV10, C30, AVM90 could not sound as good as any stereo equipment, I doubt you mean that. Do yo mind clarifying a bit, be a little more specific? I am just being curious again.
No, I didn't mean all stereo gear is better than all AV gear, I meant comparable AV & stereo equipment. I'm sure that won't answer the question, but I'm a bit tied up.
 
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Better than a Storm Audio ISR Fusion 20 :rolleyes:
Yes!
Definitely better than a Storm Fusion 20! That uses ICEPower modules.

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MakeModelChanModuleModelPower
8Ω
Power
4Ω
DNR
dB
SINAD
Best
SINAD
45k
SINAD
Worst
Diff
dB
Price
£
Price/
Chan
ToppingB1001Class B-701001391211131085300300
ApollonMultichannel8Purifi1ET6525230450137116111100114,400550
ApollonMultichannel8Hypex NCxNCx50038070013311210895134,300538
LyngdorfMXA-84008Purifi1ET40020040012311410693138,0001,000
TrinnovAmplitude 88HypexNC1200225375125103103921112,7501,594
NADM287Purifi1ET400200400120103988994,500643
PrimareA35.88HypexNC5002003001221019986134,500563
ATIAT5288HypexNC5002003001221009986135,130641
TrinnovAmplitude 8m8HypexNC5002134261291069986137,000875
NADM277HypexNC4002284191241019885134,000571
JBLSDR-357Class G-15022099999484106,000857
DenonA1H15Class AB-157270108949872265,000333
MarantzCinema 409Class AB-140212109878771162,000222
DenonX4800H9Class AB-14021097888870181,700189
TrinnovAmplitude 1616ICE Edge400A22004001229887691810,275642
MarantzAMP1016ICE Edge400A2200400119998869196,000375
StormFusion 2016ICE Edge300A21503001229988691920,0001,250
DenonX8500H13Class AB-150257110858266163,800292
FocalAstral 1612PascalT-PRO2003001188686642218,0001,500
StormPA 1616PascalT-PRO2002251188686642210,800675
Parasound21252Class AB-17521599828262201,850925
B&OICE2ICE Power125ASX27012011085785721330165
RotelRMB-15705ICE Power200AC120173106837652241,500300
AVERAGE8183312118989478166,180652
 
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Definitely better than a Storm Fusion 20! That uses ICEPower modules.
OK, now you've picked out a few numbers. What does this mean for real multi-channel operation with complex loads?
The B100 is on top, for example, and how it performs with complex loads is now well known.
 
Wow, that's quick, somehow I missed his remarks, thank you so much!
Yes it would make sense if it is a noise issue. If we consider the fact that SINAD include both distortions and noise, so if SINAD of the X4800H and Cinema 40 are practically the same, it is theoretical not possible for the SNR/DR to be 12 dB lower than the Cinema 40. So, I am going to assume Amir has already solved the puzzle, may be @welwynnick would update his very informative/useful chart with a cautionary note like Amir did.
At 8Ω, max power = 134W.
Max output voltage = √(PxR) = √(134x8) = 32.7V
At 20mW, THDN = -72dB (assumed noise)
Voltage = √(0.020x8) = 0.4V
Noise = 0.4V/10^(72/20) = 100.5µV
DNR = 20log(32.7V/100.5µV) = 110dB

The new DNR is similar to other Denon AVRs , though I think 4Ω would be a bit worse than this.
I've updated my chart (though you're probably the only other person who has read it!)
I hope you realise by now that the only reason I could possibly have for putting this workbook together is because I do believe that measurements tell us the truth.
 

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At 8Ω, max power = 134W.
Max output voltage = √(PxR) = √(134x8) = 32.7V
At 20mW, THDN = -72dB (assumed noise)
Voltage = √(0.020x8) = 0.4V
Noise = 0.4V/10^(72/20) = 100.5µV
DNR = 20log(32.7V/100.5µV) = 110dB

The new DNR is similar to other Denon AVRs , though I think 4Ω would be a bit worse than this.
I've updated my chart (though you're probably the only other person who has read it!)
I hope you realise by now that the only reason I could possibly have for putting this workbook together is because I do believe that measurements tell us the truth.
Excellent, thanks!
 
No, I didn't mean all stereo gear is better than all AV gear, I meant comparable AV & stereo equipment. I'm sure that won't answer the question, but I'm a bit tied up.
Clear enough, thanks for the quick reply.
 
Thanks to The Computer Audiophile, These are the only ways I know of to play Atmos movies on a computer:

There are two interesting articles here, too:

Eh? I used a htpc with media player classic, madvr and lav audio/video filters for many years with playback of trueHD Atmos and HDR pass through.

It was only getting a Dolby vision TV that made me get an Nvidia shield instead because a pc can't pass through DV.

It's nowhere near as complicated as that guide makes it sound
 
Eh? I used a htpc with media player classic, madvr and lav audio/video filters for many years with playback of trueHD Atmos and HDR pass through.
It was only getting a Dolby vision TV that made me get an Nvidia shield instead because a pc can't pass through DV.
It's nowhere near as complicated as that guide makes it sound
I should probably have been a bit more specific. I'm talking about the decoding and object rendering of Atmos soundtracks by a PC or similar.
Nvidia Shield appears to pass through Atmos as well, needing a receiver to do the object rendering.

Audio​

Dolby Atmos

Dolby Audio (Dolby Digital, Dolby Digital Plus, Dolby Atmos)

DTS-X surround sound (pass-through) over HDMI
High-resolution audio playback up to 24-bit/192 kHz over HDMI
Audio support: AAC, AAC+, eAAC+, MP3, WAVE, AMR, OGG Vorbis, FLAC, PCM, WMA, WMA-Pro, WMA-Lossless, Digital Plus, Dolby Atmos, Dolby TrueHD (pass-through), DTS-X (pass-through), and DTS-HD (pass-through)
 
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