Once again, I think you protest too much. Lots of good designers do just fine with LR4, and even when putting the crossover in supposedly bad places. The Salon2 crosses at 575Hz.
If you're satisfied with it that's what matters.
In my own experience I have spent a lot of time analyzing high order passive crossovers, Zobel networks and similar things.
I have found that once you get past third order passive crossovers it's largely a matter of diminishing returns because the crossovers themselves start to outweigh the defects in the drivers.
It is roughly analogous to plugging a thousand dollar silver power cord into miles of cheap aluminum transmission lines.
One of my favorite hobbies was trying to create an exotic second or third order crossover and an accompanying Zobel network for a cheap mass market speaker system with decent drivers but a hopeless or nonexistent crossover (capacitor on the tweeter).
What I often found was that creating an adequate passive crossover often cost so much for the components that it was economically impractical.
A significant issue is that it's often difficult to get detailed impedance vs. frequency information about drivers unless you measure it yourself.
Driver impedance can drastically disrupt the performance of a passive crossover designed using published impedance values.
Driver impedance can drastically change with frequency and a few ohms can completely alter the slope and frequency of a passive filter or crossover.
If you don't accurately measure driver impedance at the crossover frequency and at the level of a Zobel network if relevant you run the risk of drastically missing the desired behavior.
There is also the issue of quality control so even if your crossover is perfect for your tested speaker system it may be horrible for the next one off the production line with a different batch of drivers.