It was the BBC to establish, back then, quite good 2-way designs as the go-to solution. Now as intermodulation distortion from recording tape and vinyl engraving and pick-up is virtually a non-issue a desire for more clarity in this regard .. I try to promote it. I think especially Adam Audio offers something alike, and Dynaudio.then why are there much less 3 way speakers than 2 way speakers and .... why don't we build a multi way speaker where each fundamental frequency is played by a single speaker ? (starting at 32 hz as going under is hard, 64hz, 128hz ... 11 drivers would be enough for content ranging from 32 hz up to 32khz
11-way, sure, why not. Don't we just live for excellent reproduction of what is left after the recording session?
ps: a three way would most probably use a smaller midrange. An engineer's wet dream to solve two problems in one move: dispersion is evened out and bass modulation is decoupled from midband. Guess what the impact on general sound quality would be, also in regrad to what you call 'soundstage' and 'presence'?
Last edited: