The answer is rather complex. The best brief answer I can give is: the concept is sound, the correction works as intended ... but this solution does not work for me.
I posted the result of my experiment in
this post where I demonstrated
@joentell's method indeed does correct the nearfield MMM to flat. However, it also produces a rising frequency response at the MLP. This is the opposite behaviour of any other speaker, where flat nearfield = falling Harman-like frequency response at the MLP. The reason why is because of the particular characteristic of my speaker, it has horns > 500Hz and a conventional woofer and subs below. Another experiment described in
this post explains why my speakers behave this way.
BTW, when I did those experiments, I was not on the beta program. I was able to replicate the method based on the description of the concept. I posted a
workflow for Acourate users earlier in the thread. The app automates the process a little and produces the target curve for you, but you do not need the app if you pay attention to the method and think about how to implement it in whatever DSP software you are using. A friend of mine got it working with Audiolense, but the problem with Audiolense is that it can not import target curves. Nor can it manipulate curves like you can in Acourate and REW. So he had to derive his target curve in REW, and then manually create a target curve in Audiolense using its target curve editor.
I still think this method is brilliant but it is a shame that my speaker characteristics prevents me from implementing it. If I get new speakers I will be sure to try it again.