Robin L
Master Contributor
I was a recording engineer for the Woman's Philharmonic, something like 30 years ago. I also did lots of recording of Kitka, an all-female, acapella choir. I think I ran across a nearly 50/50 mix with the musicians I was recording in the 1990s. I don't think the issue of "How they want their music to sound" was any different than any other musicians. Musicians want to hear their part in the proper perspective, for the most part. Some are keen on "audiophile" issues, most are more concerned with hearing their part. I don't think there are many differences between male and female musicians, the musician part usually dominates above and beyond anything else. One might think there would be a higher number of audiophiles among musicians. There is, but it still was a minority. One situation really brought that home to me: assisting in an interview with a famous conductor, in his music room. A harpsichord, a viol and a cheap all-in-one stereo, with CD player, small speakers, all on the floor in a corner. Said conductor having produced a number of Audiophile LPs/CDs around that time.There are many women musicians. How do they want their music to sound?
And what is the proportion of female studio workers? I have no idea.
Back when I was doing recording it sure felt like an all-boys club. I suspect there are many more women in audio tech now than then. I sure hope so, as I only ran into one woman doing the same sort of recording gigs I was, some 30 years ago. My understanding was that there were a few others back then, but this was in the San Francisco Bay area. I really expected to encounter more audio engineers of the female persuasion.