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like i said, it's just an alternative monitoring to the main oneAren't you afraid that using a driver with so much uhm personality will result in mixes that don't translate well to good speakers?
like i said, it's just an alternative monitoring to the main oneAren't you afraid that using a driver with so much uhm personality will result in mixes that don't translate well to good speakers?
Plus, I believe that cobalt was/is a "strategic material" -- and the strategists of the world weren't and still aren't (by and large) interested in loudspeakers.Supply chain shock (IIRC civil war in the DR Congo) and cost, but they have another big disadvantage - demagnetization.
See, e.g. https://greatplainsaudio.com/alnico-magnets-degaussing-losing-magnetic-field/
Maybe when a 30W amp was big time that was less of an issue than now, when I think it’s fair to say 200W is a more common figure.
I think this driver may have been originally designed by Mark Dodd, who is better known for first reinventing the Tannoy Dual Concentric with his "tulip waveguide" units and then reinventing the KEF Uni-Q in its current form.
Point being, if an industry titan such as Mark Dodd can't reinvent the single dynamic driver system into something competent, probably nobody can!
umm... Horrortones.Aren't you afraid that using a driver with so much uhm personality will result in mixes that don't translate well to good speakers?
... this does not apply to me as an amateur. I am, so to speak, an independent sound-researcher without financial interests in this field. But it was clear that such deprecating comments would come.It took me a while to realize that most of the compliments were from people who were simply using me to reinforce their own biases.
Yes, at times cobalt was a big deal. All good reasons that neodymium is the cat's meow today. Smaller, lighter, cheaper. To my knowledge it's also harder to demagnetize than alnico.Plus, I believe that cobalt was/is a "strategic material" -- and the strategists of the world weren't and still aren't (by and large) interested in loudspeakers.
umm... Horrortones.
(In fairness, I don't think that even the most execrable-sounding pop recordings were actually mixed or mastered using Auratones -- but they did/do get at least listened to with a pair... or a pair of NS-10m ).
(In
I've listened to countless (!) speakers and it only takes me a few seconds to hear which way it's going with them. Some were interesting, but most were only average stuff. Yes, I use my ears. I even participated in some blind tests on different audio subjects. But these experiences can only be described, you better do not need to hope for understanding in the ASR. I know that it is completely pointless. Why do I do it? It is perhaps my fault that I like to palaver about it.Listen to wide-range speakers against conventional designs in a blind test, and see for yourself whether the "special qualities" survive the test. Maybe they will ...... and maybe they won't.
Ns10 are quite similar in some ways, especially regarding the low end, but you still have engineers praising them as neutral speakers, which is baffling. But some people say that about HD600 as well so yeahPlus, I believe that cobalt was/is a "strategic material" -- and the strategists of the world weren't and still aren't (by and large) interested in loudspeakers.
umm... Horrortones.
(In fairness, I don't think that even the most execrable-sounding pop recordings were actually mixed or mastered using Auratones -- but they did/do get at least listened to with a pair... or a pair of NS-10m ).
(In
I could never understand the hype around the NS10. To my ears they sound really bad.oder einem Paar NS-10m angehört
Interesting. It would be great if there was such a wideband speaker. Then it would be interesting to know if it works well in practice.I havn't read all 16 pages of this thread but I doubt anyone has mentioned Dr. Oskar Heil and his - AMT, air motion transformer. At the time of his death he was working on a full range AMT. AFAIK no one has persevered with his work.
Yes, at times cobalt was a big deal. All good reasons that neodymium is the cat's meow today. Smaller, lighter, cheaper. To my knowledge it's also harder to demagnetize than alnico.
Right now it's only new pro drivers that get it. Dunno if that's because of cost, or the companies can still use old ferrite motor designs in their consumer drivers.I think all of the ceramic and/or rare earth magnets are way less susceptible to shock-induced loss of magnetism than is AlNiCo. That's the Achilles' Heel of AlNiCo.
Seems like drivers with Neo magnets are 'spensiver (at least than their ceramic cousins), but that's anecdotal.
And small manufacturers assemble strong magnets with neodymium pins. I've seen this with Wolf from Langa, for example.Right now it's only new pro drivers that get it.
I didn't know that. I thought you pretty much had to magnetize after motor assembly.And small manufacturers assemble strong magnets with neodymium pins. I've seen this with Wolf from Langa, for example.
BTW: I like this speaker design from him. Full range with bass extender. But I have not yet heard this one myself. Other beautiful speakers from Wolf from Langa I know very well.
I have not yet observed exactly how they do it. But some also have normal magnetization devices for speakers. A colleague once remagnetized horn drivers for me.I didn't know that. I thought you pretty much had to magnetize after motor assembly.
His tweeter/mid range was superb.Interesting. It would be great if there was such a wideband speaker. Then it would be interesting to know if it works well in practice.
Is there a reason you change out speakers rather than use software? I’m asking as I am using ARC3 for room correction and it has the option to simulate many different types of speakers (phones, laptops, small portables, etc. ) and it makes sense to me that I can simulate worse speakers from my better ones, but not the opposite. But I’m not a pro, so was curious.like i said, it's just an alternative monitoring to the main one
not always, for example you can't convincingly emulate different placement of a speaker, quite a lot engineers use single auratone speaker to have a reference of a real mono single source in the middle, not just phantom one. You can't emulate closed box design with bass reflex one, you can't emulate different beam width, you can't make nearfield coaxial monitors sound like a floor standing domestic speakers further away and it's not even a matter of one being better than the other, just different. As far as I know ARC3 only emulates the EQ curves of different speakers, so no nonlinearities are being added, which could be useful if you want to test for example to what extent a low bass would physically excite or distort a small speaker in a given mix.Is there a reason you change out speakers rather than use software? I’m asking as I am using ARC3 for room correction and it has the option to simulate many different types of speakers (phones, laptops, small portables, etc. ) and it makes sense to me that I can simulate worse speakers from my better ones, but not the opposite. But I’m not a pro, so was curious.
I havn't read all 16 pages of this thread but I doubt anyone has mentioned Dr. Oskar Heil and his - AMT, air motion transformer. At the time of his death he was working on a full range AMT. AFAIK no one has persevered with his work.