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"Inefficient" speakers are "worse" than "efficient" speakers

Is this objectively measureable [sic]?
Whenever I read something is "audible" in the audiophile world, I don't believe it unless it is measureable.
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taken from here.

The audibility of thermal compression distortion is the audibility of amplitude distortion (SPL) of loudspeakers--particularly woofer amplitude response relative to the more efficient higher frequency drivers. Do I need to cite sources for that?

Chris
 
That ties in nicely with

Which, mind you, is a bit academic since FM-to-AM conversion is very common, courtesy of the resident reflections / multipath propagation introducing frequency response ripple. So you might conceivably encounter cases of level handling in a small, high-excursion (2-way) design being improved by acoustic optimisation.

Anyway, the statement "higher sensitivity -> lower distortion" implicitly assumes all else being equal, which of course it rarely is. Driver designers are, in general, no dummies. When faced with the challenge of trying to build smaller drivers with higher excursion, they will be looking for ways to improve their motor designs for better linearity, up to the point of going all Purifi on them:
That is not easy - picking a fight with physics never is - but there is some leeway, and besides nobody ever said that being an engineer is about solving easy problems.
 
Candidly, I get a bit skeptical of design solutions (and engineering enterprises) which totally ignore really effective design approach alternatives, and further common misconceptions. To wit:

When we talk about distortion, there’s often a distinction made between Harmonic Distortion (HD) and Intermodulation Distortion (IMD). These aren’t two different types of distortion per se, but different ways in which the same distortion mechanism can manifest itself more or less saliently.

In horn-loaded (including waveguides) applications, these two distortion types are very different: one is present and the other basically isn't. I would be okay with most of what was said in that article if they didn't try to muddy the water further in this regard.

Also, apparently calling flux modulation distortion to be "Force Factor Modulation" seems like a disservice to Klippel's work...but hey, that's just my opinion.

YMMV.

Chris
 
That ties in nicely with

Which, mind you, is a bit academic since FM-to-AM conversion is very common, courtesy of the resident reflections / multipath propagation introducing frequency response ripple.
[Off topic] I can't tell how glad I am that you pick that up! There is FM to AM conversion. And you can test it at home. Please give it a try.
With headphones the effect of diminishing FM is obvious. With speakers the FM will be heard after conversion. It is not so that your speakers are broken, it is that conversion, that makes the difference.
[/Off topic]

Kudos to Purify, that they leave the example on site.
 
There are LOTs of trade-offs & compromises.

Sometimes you lose sound quality to gain efficiency/ sensitivity.

In these "modern times" when amplifier power is cheap, speaker manufacturers don't have to worry too much about sensitivity and they can trade it off for other things.

There also often a trade-off between box size and sensitivity, with larger boxes allowing for more sensitivity.

Ported designs tend to be more efficient than sealed boxes. If you have a small (smallish) subwoofer you can often get sufficient bass with EQ and amplifier power.

Pro subs used live and in dance clubs are usually very efficient ported designs with big drivers in big boxes. They are also usually "tuned" to go down to around 40Hz, which is low-enough to feel in your body. By not going down to 20Hz, they can squeeze more efficiency and SPL out of it.

When I was young I helped to install a pair of Altec A7's in a school theater. I think we were testing them with a 5 or 10 Watt amplifier. The "sound power" was amazing and it was like you could feel the efficiency! They seemed to go "loud easily". ...Technically, that's nonsense if you're not measuring the power or A/B comparing to another speaker but that was my impression. I don't think they "measure" that great, but at the time they sounded great to me... probably the best speakers I'd ever heard at that time, and I still have fond memories!

Horn PA speakers can be super-efficient but they usually don't make good "music speakers". A quick search found this one which is rated for 107dB at 1W/1M.
A7 "Voice of the Theater" speakers reveal the inverse of Hoffman's Iron Law (btw, Hoffman was Henry Kloss's partner at Advent). If reducing size decreases sensitivity, then increasing size raises it. That's one of the reasons they were large--amps of the day were relatively small. I don't recall the official sensitivity--Google says it's 103-105 dB/W/m--but we used a pair for a country band that could fill a ballroom with deafening sound if they wanted to using a McIntosh amp that may have been 150 WPC.

But the bass reflex cabinet used in the A7 included an exponential horn baffle in front of the woofer, and that projects the sound out front to a greater extent than any home speaker. They would not measure that great, perhaps, in home use simply because of their long-throw horn, though there may be strategies to make them work. But that's not what they were made for.

Rick "different use cases bring different requirements that suggest different tradeoffs" Denney
 
Probably already said: Sensitivity numbers don't really tell us how loudly a speaker will play. But an inefficient speaker is more likely to run out of headroom than a more efficient speaker at a given desired SPL. If a low-efficient speaker (83 dB) starts to compress from lack of compliance at 100 dB SPL, then the same 27 dB of headroom applied to a 90 dB-sensitivity speaker can go to 107 dB before compressing. That's a big different for those who want to play dynamic music loudly.

But the actual headroom is a matter of design also.

Rick "whose Revel towers are 90-dB sensitive" Denney
 
Kudos to Purifi for publishing so many technical details on their website. @Lars Risbo
 
If a low-efficient speaker (83 dB) starts to compress from lack of compliance at 100 dB SPL, then the same 27 dB of headroom applied to a 90 dB-sensitivity speaker can go to 107 dB before compressing.
that is not true.if the compliance is the same then the distortion vs SPL is the same too (assuming compliance is the dominant source of distortion).
 
This is an interesting assertion.

1) Could you explain how cone/dome diaphragm excursion is not a function of input power, given a motor design?
Sure. Put an L-pad in front of it. We’re talking loudspeakers here, not drivers. That’s the title of this thread. One could intentionally neuter a speaker as above just to test a theory - does IMD increase with power? Not necessarily. Therefore your statement, “Higher efficiency/sensitivity means lower modulation distortion” is not true. As another example of why, if the driver was made with a 100 ohm voice coil instead of 4, it would have a much lower 2.83v sensitivity, but Doppler distortion, for example would be the same at each excursion point, but it would take much more voltage to achieve that same excursion. Therefore, the lower sensitivity driver has also lower IMD (per volt, but equal amounts per dB as mentioned in my previous post).

I know you want to argue your point about power and excursion while bringing in other variables - horn loading for example. I’ll copy and paste my last paragraph,

“Are there other variables that change in real life? Yes. But, as a thought exercise, one must look at at the AM and FM portions of IMD and sensitivity together in a vacuum and ignore the other variables. Once done, it’s easy to see how the two have nothing to do with one another directly, only indirectly through excursion.
 
In horn-loaded (including waveguides) applications, these two distortion types are very different: one is present and the other basically isn't. I would be okay with most of what was said in that article if they didn't try to muddy the water further in this regard.
I think you've misunderstood the point being made: the stimulus is different, but the fundamental system nonlinearities being characterized are the same. This does not contradict what you said and an example is given immediately following the part you quoted that demonstrates that one cannot, in general, derive intermodulation distortion from simple harmonic distortion data.
 
I think you've misunderstood the point being made: the stimulus is different, but the fundamental system nonlinearities being characterized are the same.
That's a much better way to say it. Why not change the text of the advertisement to say that (assuming you are representing the company's interests here)?

Chris
 
Higher efficiency/sensitivity means lower modulation distortion” is not true.
May I say 'LOL' without without offending anyone?

So many platitudes, blanket statements. Even rather cheap drivers are perfect today compared to the past, a time from which this wisdom originates. The issue is already settled because - apparently - nobody knows what “not so great” or "inefficient speakers perform poorly at low volumes" means. These are the typical suspicions of people who never want to be satisfied with their hobby. Otherwise it would be over - a very simple logic. One might rather argue that the CO2 footprint is the decisive question. Because of efficiency, you get it.

Thanks to Dr Toole, sound quality can now be measured and classified inter-subjectively, despite all the justified criticism. What do these reheated ifs and buts want? Well, I, quite subjectively and personally with my listening experience, do not see the slightest connection between nominal efficiency and any parameter of sound quality - and I've had them all.
 
This is an interesting assertion.

1) Could you explain how cone/dome diaphragm excursion is not a function of input power, given a motor design?

2) How can you achieve higher sensitivity besides increasing the driver's physical diaphragm area...or the number of windings in its voice coil?


Really? Can you point me to a specific case that you're asserting here (i.e., modulation distortion and thermal compression distortion)?

Chris

I believe these test results objectively show this. Do you disagree? @Lars Risbo could comment much more proficiently than me.
 
Candidly, I get a bit skeptical of design solutions (and engineering enterprises) which totally ignore really effective design approach alternatives, and further common misconceptions. To wit:


In horn-loaded (including waveguides) applications, these two distortion types are very different: one is present and the other basically isn't. I would be okay with most of what was said in that article if they didn't try to muddy the water further in this regard.
Looked up your setup and the spotlight turned on.
Do you think your emphasis on horn loaded solutions and Uber efficient speaker might be related to your Klipsch Jubilees? Not my jam but obviously everyone has their own tastes in speakers. My Salon2s are probably toward the other end of the spectrum. If all inefficient speakers were built like the 1980s I'd probably be jumping headfirst into the Klipsch camp as well.

It appears that many of your opinions and the scientific principles you cite are based on an all else being equal analysis and older designed speakers and drivers. In those use cases, I am in complete agreement with your thoughts and opinions.

Imho, the facts and data show otherwise for a number of well designed speakers 85db or lower sensitivity and for high performing drivers such as many of the Purifi drivers.
Also, apparently calling flux modulation distortion to be "Force Factor Modulation" seems like a disservice to Klippel's work...but hey, that's just my opinion.

YMMV.

Chris
 
I believe these test results objectively show this. Do you disagree?
Umm...Yes, I do.

Sorry to have to say this--but I'm a bit appalled at the manufacturer's 80 dB SPL rating for this woofer for the IM test. I've never taken (or otherwise tried to use) modulation/multitone measurements that low--because it's far too low SPL. The lowest I could imagine would be 90 dBFS/1m, with 100 dBFS/1m being much more realistic. Nonlinear distortion is defined as such because it is a nonlinear function of drive level, i.e., SPL.

Also, there is no thermal compression distortion plot that I could find. This is something that Erin posts as part of his Klippel NFS measurements. I assume that the founder here (Amir M.) also posts these results from his NFS. The drive level for this test should also be in the 90-100 dBFS/1m range, with higher SPL measurement levels being even more realistic.

Chris
 
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Umm...Yes, I do.

Sorry to have to say this--but I'm a bit appalled at the manufacturer's 80 dB SPL rating for this woofer for the IM test.

I'm very interested how the Purifi folks, @Lars Risbo view this.
I've never taken (or otherwise tried to use) modulation/multitone measurements that low--because it's far too low SPL. The lowest I could imagine would be 90 dBFS/1m, with 100 dBFS/1m being much more realistic. Nonlinear distortion is defined as such because it is a nonlinear function of drive level, i.e., SPL.

Also, there is no thermal compression distortion plot that I could find. This is something that Erin posts as part of his Klippel NFS measurements. I assume that the founder here (Amir M.) also posts these results from his NFS. The drive level for this test should also be in the 90-100 dBFS/1m range, with higher SPL measurement levels being even more realistic.

Chris
 
May I say 'LOL' without without offending anyone?
I couldn’t follow your post. Two paragraphs and this, I think, was the point?

I […] do not see the slightest connection between nominal efficiency and any parameter of sound quality

For the most part, I agree. That said, do you disagree with anything in my post (did you understand my post?) or were you just using it as a springboard to begin your post?
 
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