Getting back on topic:
What are the reasons to choose Class A/AB/H over D in this day and age?
I'm going to say that objectively BOTH short and long term reliability! In my experience using Class D plate amps and Class D modules over the past 5 years or so, I have already experienced a 50% short term failure rate, defined by ~5 years. We'll have to see about the longer term failure rate, but I fully expect 100% to have failed by 10 - 15 years.
Meanwhile, I have built and bought a vast number of Class AB and Class A amplifiers, both solid state and tube, and never experienced anywhere near this high a failure rate. In no case was I unable to repair the Class AB or Class A amplifier.
In my conclusion, anyone interested in amplifier longevity should run, not walk, away from expensive Class D amplification until there is solid proof of ongoing reliability. We saw the pictures of a blown Hypex, and then there was also the other Hypex that the assembler stepped in and replaced under warranty.
On a happier note for Class D modules available at a reasonable cost, the 3 out of 6 Class D amplifiers I have that have not yet failed are all IcePower 125ASX2 module based. Two of those three I built with Class A input stages.
I cannot personally speak to the more expensive Hypex or Purifi module reliability as I would not invest in their quite higher module cost until they can at least prove their short term reliability. I don't care where they stack rank in SINAD as the difference in audibility just isn't there for me - at least with the Hypex and Purifi units I have heard.
On the subjective front, I recently heard a customer's very nice system with a Class A amp, and we compared it to a Hypex Ncore module amp he had been loaned, and one of my IcePower 125ASX2 amps, and we all felt that the two Class D amps lacked soundstage depth compared to the Class A amp - but there is no way to measure soundstage depth on test equipment like an AP, and stack rank that way. The only way I know to compare soundstage depth is by playing and subjectively listening to known recordings that exhibit good soundstage depth. Those that have never heard good soundstage depth probably don't care anyway - because we don't know a way to measure it with test equipment.
In any case, Merry Christmas to all that celebrate, and Happy Holidays to all.