Fully agree. Not because I am frenchWell, after reading this Trinnov test, let me express a few thoughts and concerns.
Sure Trinnov is expensive. And Ok the measured performances are not absolutely on par with a budget Topping or other good budget dacs makers, but that's not the whole story. Far from that !
I use a Topping DX7S for years - excellent device for its DAC and headamp sections, but not as good when I listen thru its line output. Not bad for price, but I listened to better preamps, no matter what the Topping's excellent theorical measurements tell on the test bench.
But for ergonomy and overall quality, this overall good budget DAC/preamp has obvious little flaws : for example, an audible "pop" at extinction.... Not a good point, because any 2 or 300 $ receiver on the market are equipped with relays that prevent those "pops". This is more important IMO than slight differences in measurements.
To come back to the Trinnov test, I' not sure that one could hear any difference at all in direct comparison betwween the Dac alone section of the Trinnov and any of Topping or Gustard or Matrix or others "competition" laboratory measurements budget Dacs.
As for ergonomy, modularity, connectivity, room calibration (one of the best if not the best), overall quality, company support, I would choose Trinnov without any hesitation against any budget brands (if I had the budget -unfortunelately not....). Once again, these are MUCH more important criterias than absolute figures in measurements.
I don't write this because I'm french and proud of a few companies like Trinnov, but because beyond a certain level of quality on the test bench, absolute measured performance are not key points. that's the limits of the tests.
I have discussed with a few pros building private cinema rooms (yes, it's a pretty good business here in Luxembourg, especially since pandemics). They were clear on one point: Trinnov is the one and only room correction system that is actually working.