- Thread Starter
- #141
..and to explain a bit about the process: It's of course not just about measurements, listening sessions are a crucial and major part of the development. The speakers go through countless iterations of crossover/DSP configuration, and basically all iterations has one version based on the measurements, and a subsequent variant "By ear".
This means I first tune them based on measurements on- and off-axis (attempting to balance the two), then I listen for a few days and do additional adjustments based on what I hear. Then perhaps something is difficult to get perfect, so I measure again to help understand what the problem is, do some adjustments based on the measurements, and then go back to listening and additional adjustments based on the listening sessions. This way the response is continuously balanced based both on on objective data and real listening impressions over time, and across a broad range of music genres.
This means I first tune them based on measurements on- and off-axis (attempting to balance the two), then I listen for a few days and do additional adjustments based on what I hear. Then perhaps something is difficult to get perfect, so I measure again to help understand what the problem is, do some adjustments based on the measurements, and then go back to listening and additional adjustments based on the listening sessions. This way the response is continuously balanced based both on on objective data and real listening impressions over time, and across a broad range of music genres.