Thanks for posting that Amir. Wow--18 years I've been working with Jim. Now I feel even older. He's probably the most unflappable, no-nonsense person I've met in the audio industry, or anyplace else for that matter. Since this is a technical forum, I would like to qualify or clarify one issue he brought up, which is the importance of "phase coherence" in a passive crossover design. His comments might be construed as suggesting that having drivers in phase at the crossover point in and of itself improves clarity and imaging. I think the most accurate statement would be more involved and qualified, and would go something like: If you're using, say, 4th order Linkwitz-Riley acoustic slopes, then in order for the adjacent drivers to sum flat on axis those drivers need to be 6 dB down and in phase with each other at the crossover point. That doesn't mean that the human ear will hear anything special just because the drivers are moving in and out together, and for non-coincident drivers they will probably be a full cycle apart. It just means that the crossover should produce a flat on-axis response if you follow the rules. The speaker's imaging characteristics will depend more on the off-axis response, which as we all know can still be a mess even if the on-axis response is flat.