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How much dynamic range are you losing? According to the measurement, DR is 20bits on the ouput. Let's be really generous, and assume analogue input can give the same 20 bits. Accepting a 4V input for balanced?
4mV is -60db - losing 10 bits. So you are only getting 10 bits of DR just amping up with DSP. 11 bits with unbalanced (if the unbalanced can achieve the same DR as the balanced - also a generous assumption).
Even given the limitations of vinyl, 10 bits (best case) doesn't seem enough to me.
Do they mean 4 channel input here. I thought there were only stereo analogue inputs. Or do they mean you can record the result of the DSP/crossover/routing. If so that's sort of neat.
But isn't vinyl noise higher at the lower end of the spectrum? And so RIAA will make this even worse. (Or is that only AFTER RIAA correction, so uncorrected playback has flat noise spectrum?)
But in any case the RIAA Correction means you are losing even more dynamic range below 1KHz. Up to another 3 bits at 20Hz.
How much dynamic range are you losing? According to the measurement, DR is 20bits on the ouput. Let's be really generous, and assume analogue input can give the same 20 bits. Accepting a 4V input for balanced?
4mV is -60db - losing 10 bits. So you are only getting 10 bits of DR just amping up with DSP. 11 bits with unbalanced (if the unbalanced can achieve the same DR as the balanced - also a generous assumption).
Even given the limitations of vinyl, 10 bits (best case) doesn't seem enough to me.
Keep in mind that even the BEST phono stages here on the forum are 25 dB noisier than the Flex's Analogue input. So you're more or less back where you started.
Keep in mind that even the BEST phono stages here on the forum are 25 dB noisier than the Flex's Analogue input. So you're more or less back where you started.
I don't think you are, because you are losing 60dB by doing the amplification in the digital realm inside the flex. You effectively amplify the Flex Ain noise as well as the signal - by far more than 25dB.
I don't think you are, because you are losing 60dB by doing the amplification in the digital realm inside the flex. You effectively amplify the Flex Ain noise as well as the signal - by far more than 25dB.
no that's not how 32bit floating point processing works, no dynamic range is lost when amplifying, whatever you had before within the limits of the Flex's ADC remains till the output stage.
Nothing clips unless something goes above 0dBFS at the very end of the chain.
But isn't vinyl noise higher at the lower end of the spectrum? And so RIAA will make this even worse. (Or is that only AFTER RIAA correction, so uncorrected playback has flat noise spectrum?)
But in any case the RIAA Correction means you are losing even more dynamic range below 1KHz. Up to another 3 bits at 20Hz.
Ok, but you cant do dsp crossover the way you use your behringer, with digital out to a dac . I suppose you have loudspeakers with analog crossovers and use the Behringer dsp as a roomcorrection and eq ?
You can have much better results with a real, active dsp crossover .Thats next level. The minidsp flex can do both: dsp roomcorrection, eq + digital crossover.
My loudspeakers are passivs, so yes: the embedded filters does the job (and rather well...). In HIFI I hate to use subs, in home theater it's another story.
My loudspeakers are passivs, so yes: the embedded filters does the job (and rather well...). In HIFI I hate to use subs, in home theater it's another story.