Then why post in the first place?Why I should convince anybody to sth. I know from experience? NO WAY.
Then why post in the first place?Why I should convince anybody to sth. I know from experience? NO WAY.
A flat frequency response did not tell the full story with vintage players, many of which could have a hard sounding top end even with a flat response.The frequency response is linear +-0.5dB. Noise is at -96dB. THD at 0.0x%. This is all beyond the limits of perception since 1980.
OMG, your auditory system needs no help in recognizing the more lavishing of two presentations. If it required thinking the hobby would be like prying on a toenail. I've no doubt whatsoever that NEC stopped building compact disc players by 1990 because there was simply nothing left to do. Furthermore, headphone listening has convinced me that subsequent development of playback was due not to performance shortcomings in cd players but rather the inherent flaws of loudspeaker listening ie., a different set of requirements that cater to those limitations.Less details and less DR it is bound to sound fuller. Brain tends to hate too many details as it requires extra efforts to make sense of it but that does not mean older tecnology is more faithful. Older tech has a type of sound while newer dac make music closer to as it is recorded. So try a modern recording with a lot of small level details like Ralph Alessi band and you would hate your old dac.
Welcome aboard, Dani, from Spain,Hello everyone, I introduce myself, my name is Dani and I am from Spain.
...They are personal tastes...my personal tastes and no graphics can change my preferences.
Greetings !
And..? What are the conclusions?I did some light testing comparing the TDA1541 to a CS4396 board I have from roughly the same era using an HP Dynamic Signal Analyzer
I must be out of the loop. Do I understand correctly that the appeal of this device is the “vintage” DAC chip? I ran across this description (source linked below):
The sonic characteristic of TDA1541A DAC players is very easy to distinguish - after hitting PLAY after trying other DACS you can hear a big difference immediately, BUT I can't describe it at all. It is very hard to put in words. The sound is very rich, full, mature, ripe, analogue, liquid, dynamic, and with huge macro dynamics. It has the best midrange, best treble and very very good bass.
The main difference is: that I like it more than any other DAC chip, it is so ear friendly.
Ok, bear with me here.
I am driving Wharfedale Elysian 4 with 2xTopping LA90 in mono.
I have Benchmark DAC 1 HDR, also Topping E30II, Topping DX3Pro, Nad M51 DACs, to name a few.
Elysians with any of those DAC's sound... strange, voices are not "real" the cymbals, metals do not sound "real."
I found an old NOS DAC with Philips TDA1541A chips and for shits and giggles connected it to Topping LA90's and Elysian 4s.
Man, what a surprise that was... I could start hearing different voices easily, I could easily track any of the singers, even in chorus, instruments became easy to track and everything started sounding "REAL."
I am not joking.
I also noticed that NOS DAC was heavily distorting with full digital signal, so I had to lower digital volume a bit and distortion went away.
Of course I don't believe in cables, magic DAC and things like that, I disconnected the NOS, started connecting all other DAC's.
None of the other DAC's sounded "real."
Again, I am not pulling your chain.
My other system consists of:
NAD M3 + NAD M51 + JBL Array 1400.
I found out that NAD M3 + Topping E30II + JBL Array 1400 sounds SUBLIME. Out of this world, so I kept that combination.
Topping E30II + 2xTopping LA90 + Elysian just hinted the same magic but no where close to Arrays, it did not give me the goosebumps like the NOS DAC either.
2xTopping LA90 + NOS DAC 1541a + Wharfedale Elysian 4 does not sound sublime, it sounds REAL, so I kept that combination.
I came here searching for the measurements, I knew NOS DAC's measured really bad... but... something is going on there.
NOS DACs generate a massive non-harmonic distorsion out of band, if not properly filtered, and will also generate intermodulation distorsion in audio band too, in that case.Ok, bear with me here.
I am driving Wharfedale Elysian 4 with 2xTopping LA90 in mono.
I have Benchmark DAC 1 HDR, also Topping E30II, Topping DX3Pro, Nad M51 DACs, to name a few.
Elysians with any of those DAC's sound... strange, voices are not "real" the cymbals, metals do not sound "real."
I found an old NOS DAC with Philips TDA1541A chips and for shits and giggles connected it to Topping LA90's and Elysian 4s.
Man, what a surprise that was... I could start hearing different voices easily, I could easily track any of the singers, even in chorus, instruments became easy to track and everything started sounding "REAL."
I am not joking.
I also noticed that NOS DAC was heavily distorting with full digital signal, so I had to lower digital volume a bit and distortion went away.
Of course I don't believe in cables, magic DAC and things like that, I disconnected the NOS, started connecting all other DAC's.
None of the other DAC's sounded "real."
Again, I am not pulling your chain.
My other system consists of:
NAD M3 + NAD M51 + JBL Array 1400.
I found out that NAD M3 + Topping E30II + JBL Array 1400 sounds SUBLIME. Out of this world, so I kept that combination.
Topping E30II + 2xTopping LA90 + Elysian just hinted the same magic but no where close to Arrays, it did not give me the goosebumps like the NOS DAC either.
2xTopping LA90 + NOS DAC 1541a + Wharfedale Elysian 4 does not sound sublime, it sounds REAL, so I kept that combination.
I came here searching for the measurements, I knew NOS DAC's measured really bad... but... something is going on there.