FIY: I work with small room acoustics. I always recommend treatment if possible. However, starting with a speaker that both has uniform directivity and the desired beamwidth is always the better way. A great speaker design can actually minimize need for room treatment. Not that it removes the need, but you get away with less. And so is the case with speakers with narrow dispersion, if the goal is to the hear primarily direct sound and have the best insight into the recorded material.
Sounds like you want electrostatic loudspeakers then? Even the smallest Martin Logan hybrid crosses over at 500hz. The bigger ones are <300hz. That gives you constant (narrow) directivity, with no side reflections to worry about, and you only have to treat the rear wall to taste. I run that setup in the big room downstairs and it sounds brilliant, with no treatment except for some diffusion on the rear wall.
But, we are talking about a tiny bookshelf speaker, intended for studio use, in tight spaces, where the assumption is that the room will either be purpose-built for critical listening or heavily treated. I am not sure what design could accomplish your goals in a 10 litre cabinet?