It does not, per se. But I have three running 24/7 and they draw very very little energy while idle. You can also turn off the lights so they appear to be off.
It does not, per se. But I have three running 24/7 and they draw very very little energy while idle. You can also turn off the lights so they appear to be off.
What are your spikes at 17k and 19.5k? Do you have a high pass profile on, otherwise, why the shelf at 3k?Measured the noise profile from the XLS 1002:
View attachment 177734
Calibrated Mic 5 cm far from my Air Motion Tweeter.
Green -> XLS powered OFF
Red -> XLS ON
Frequency Response:
Here we can see, there´s no 44.1khz resampling but 48khz similar to bigger XLS series.
That spikes comes from background noise, ignore it.What are your spikes at 17k and 19.5k? Do you have a high pass profile on, otherwise, why the shelf at 3k?
Is that true? The Mainboards does not shown any difference except Caps and Output-TransistorsThe 1002 uses the AD/DA built into the LSI chip they had designed for their class D amps by TI. The 1502 uses a higher performance outboard converter the CS4272 per the Crown service manual. The CS4272 gives the 1502 and higher models 3-4db better noise level.
Here is a direct quote from the service manual:Is that true? The Mainboards does not shown any difference except Caps and Output-Transistors
Your not missing anything. In the XLS series is pretty basic DSP. No eq, delay etc.In search of information about DSP functionality of DSP amplifiers I came here after selecting Speaker Amp (DSP) from the Review index.
But there is not much about the DSP in here, except the one or other mention that there is one.
I searched crownaudio.com for more information about it, but didn't find any. I also downloaded the manual, but it only briefly describes the "PureBand Crossover Filter System" and the "PeakxTM Limiter". Did I overlook something? Is there really no EQ? No delay? No adjustable limiters?
You’ll need another device to do EQ and delay. I used a MiniDSP when I used XLS amps for subwoofers. The Behringer DSP amps do have those features built in if you haven’t considered those yet.In search of information about DSP functionality of DSP amplifiers I came here after selecting Speaker Amp (DSP) from the Review index.
But there is not much about the DSP in here, except the one or other mention that there is one.
I searched crownaudio.com for more information about it, but didn't find any. I also downloaded the manual, but it only briefly describes the "PureBand Crossover Filter System" and the "PeakxTM Limiter". Did I overlook something? Is there really no EQ? No delay? No adjustable limiters?
According to the feature list on the website, it should have one... however, searching the manual left some doubts: it only mentions "Display Sleep".One question: Does the XLS has an "Auto-Standby"?
How much, in numbers, is "very very little"?they draw very very little energy while idle.
It does, it has a 3 pin phoenix connector that you can purchase a 12v micro relay and wire it to go into standby.According to the feature list on the website, it should have one... however, searching the manual left some doubts: it only mentions "Display Sleep".
In search of information about DSP functionality of DSP amplifiers I came here after selecting Speaker Amp (DSP) from the Review index.
But there is not much about the DSP in here, except the one or other mention that there is one.
I searched crownaudio.com for more information about it, but didn't find any. I also downloaded the manual, but it only briefly describes the "PureBand Crossover Filter System" and the "PeakxTM Limiter". Did I overlook something? Is there really no EQ? No delay? No adjustable limiters?
Crown has published this. It varies by power source, but let's say it's 0.54A (59W/hr) or less. At my electricity cost that's $.16/day. I tend to doubt it's really that high because my entire house uses about 300W/hr late at night. https://www.crownaudio.com/zh/site_elements/xls-drivecore-power-draw-thermalHow much, in numbers, is "very very little"?
Did you have hiss with the Yamaha?Got an brand new XLS 1002 for 200 bucks.
Connected to my hard to drive 2 Ohm speakers (92dB sensitiv) direct from my SMSL SU-9n i got very few hiss, i must put my ear very close to the AMT tweeter to hear it.
Good!
Soundwise, i am not sure if the XLS sounds "better" ore not compared to my previous amp (Yamaha A-S 700)...
So far so good!
One question: Does the XLS has an "Auto-Standby"?
As always, thanks to @amirm for the review!
No.Did you have hiss with the Yamaha?
And in mono at 8 ohms ? How much power ?This is a review and detailed measurements of the Crown XLS 1002 rack mounted pro amplifier. It was kindly purchased new by a member and drop shipped to me. The 1002 costs US $339 including Prime shipping from Amazon.
Note: our company, Madrona Digital, is a dealer for Harman and hence Crown products. We use fair bit of Crown amps in custom installs usually to power in-ceiling speakers and such. Member wanted to buy it through us but the margin on it was no more than a cup of coffee (relative to online sites) so I suggested he buy it elsewhere which he did.
Not sure what to say about the look other than it is made to have some style while being rugged:
View attachment 84694
The LCD with bluish backlight reminds me of displays on electronics back in 1980s. I guess at this price they had to cut every penny.
I was relieved to see binding posts besides speakon connectors:
View attachment 84695
Now don't laugh but I could not figure out how to pull out the safety plugs they put in the darn binding posts! There is no way to grab then and I did not want to put a mark on them by using a sharp tool. The manual says only European units have it but clearly that is not correct. Anyway, I resorted to using the SpeakOn connectors for my testing. For input I focused on XLR inputs.
I set the gain to max to get the nominal 29 dB I have standardized on for testing amplifiers.
There is a fan in the back and some inside. But none came on that I could hear above the sound of my PC during testing. Nothing shut down even when the amp was pushed into clipping. Some kind of limiter would kick in after short period to keep the power level at max. Temperature of the case didn't even rise above room temp.
Amplifier Audio Measurements
Performance was stable during a 5 minute warm up time so I ran with them:
View attachment 84696
Strange to see higher order harmonics dominating the distortion profile (FFT to the right). Ratio of noise+distortion to signal as expressed in SINAD is what I expect decent pro amps to produce:
View attachment 84697
Slightly below the average of all amps tested.
Signal to noise ratio is in the same range:
View attachment 84698
Crosstalk is reasonable:
View attachment 84699
Frequency response test shows that everything is digitized due to inclusion of DSP functionality in this amp:
View attachment 84700
Power into 4 ohm is healthy as is the case with most pro amps:
View attachment 84701
I was disappointed to see one channel be much worse than the other though.
Letting distortion go higher we get higher power output:
View attachment 84702
The burst/peak power is not higher because of the limiter I mentioned in the intro.
Using 8 ohm load gives a more behaved response than 4:
View attachment 84703
This indicates the one channel is starving for current than the other (likely longer path to the power supply).
I was unhappy to see distortion shoot up at higher frequencies:
View attachment 84704
Fortunately in practice there is not much energy up there so you will be operating in low wattage area where distortion is quite a bit lower.
Finally, I removed my AES filter to get the spectrum:
View attachment 84705
Switching frequency is around 380 kHz and decently attenuated.
Conclusions
Competent pro amplifiers target for good enough noise and distortion. The Crown XLS 1002 falls in that category so if you were expecting to have anything better for so little money and so much power, you would be disappointed. But otherwise the amp does what it targets to do.
I am going to put the Crown XLS1002 on my recommended list for non-critical applications or for driving subwoofers and such.
------------
As always, questions, comments, recommendations, etc. are welcome.
The job last night after helping my wife can more tomatoes was to dehydrate these beauties:
View attachment 84706
They are called "blush" tomatoes and were invented in San Francisco in 2011! They are oval with the most beautiful coloration as if they are peaches. Once ripe, they have an incredible sweet and slightly sour taste. Once dried, they become like slightly sour and sweet candy. The rains are attacking them right now aiming to kill what is left of the plants but I picked another 10 pounds or so today.
You came here to learn about audio but you are also learning about gardening and preserving food as well. Surely that deservers a raise for me in the form of additional donations using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
Bought it to be used as a power force to my 18 inch subwoofer, arrived yesterday, a darn hell to remove the plugs in the binding posts, drill and little pliers. I took them out.!!! For my banana terminated Nordost Flatline of yore.This is a review and detailed measurements of the Crown XLS 1002 rack mounted pro amplifier. It was kindly purchased new by a member and drop shipped to me. The 1002 costs US $339 including Prime shipping from Amazon.
Note: our company, Madrona Digital, is a dealer for Harman and hence Crown products. We use fair bit of Crown amps in custom installs usually to power in-ceiling speakers and such. Member wanted to buy it through us but the margin on it was no more than a cup of coffee (relative to online sites) so I suggested he buy it elsewhere which he did.
Not sure what to say about the look other than it is made to have some style while being rugged:
View attachment 84694
The LCD with bluish backlight reminds me of displays on electronics back in 1980s. I guess at this price they had to cut every penny.
I was relieved to see binding posts besides speakon connectors:
View attachment 84695
Now don't laugh but I could not figure out how to pull out the safety plugs they put in the darn binding posts! There is no way to grab then and I did not want to put a mark on them by using a sharp tool. The manual says only European units have it but clearly that is not correct. Anyway, I resorted to using the SpeakOn connectors for my testing. For input I focused on XLR inputs.
I set the gain to max to get the nominal 29 dB I have standardized on for testing amplifiers.
There is a fan in the back and some inside. But none came on that I could hear above the sound of my PC during testing. Nothing shut down even when the amp was pushed into clipping. Some kind of limiter would kick in after short period to keep the power level at max. Temperature of the case didn't even rise above room temp.
Amplifier Audio Measurements
Performance was stable during a 5 minute warm up time so I ran with them:
View attachment 84696
Strange to see higher order harmonics dominating the distortion profile (FFT to the right). Ratio of noise+distortion to signal as expressed in SINAD is what I expect decent pro amps to produce:
View attachment 84697
Slightly below the average of all amps tested.
Signal to noise ratio is in the same range:
View attachment 84698
Crosstalk is reasonable:
View attachment 84699
Frequency response test shows that everything is digitized due to inclusion of DSP functionality in this amp:
View attachment 84700
Power into 4 ohm is healthy as is the case with most pro amps:
View attachment 84701
I was disappointed to see one channel be much worse than the other though.
Letting distortion go higher we get higher power output:
View attachment 84702
The burst/peak power is not higher because of the limiter I mentioned in the intro.
Using 8 ohm load gives a more behaved response than 4:
View attachment 84703
This indicates the one channel is starving for current than the other (likely longer path to the power supply).
I was unhappy to see distortion shoot up at higher frequencies:
View attachment 84704
Fortunately in practice there is not much energy up there so you will be operating in low wattage area where distortion is quite a bit lower.
Finally, I removed my AES filter to get the spectrum:
View attachment 84705
Switching frequency is around 380 kHz and decently attenuated.
Conclusions
Competent pro amplifiers target for good enough noise and distortion. The Crown XLS 1002 falls in that category so if you were expecting to have anything better for so little money and so much power, you would be disappointed. But otherwise the amp does what it targets to do.
I am going to put the Crown XLS1002 on my recommended list for non-critical applications or for driving subwoofers and such.
------------
As always, questions, comments, recommendations, etc. are welcome.
The job last night after helping my wife can more tomatoes was to dehydrate these beauties:
View attachment 84706
They are called "blush" tomatoes and were invented in San Francisco in 2011! They are oval with the most beautiful coloration as if they are peaches. Once ripe, they have an incredible sweet and slightly sour taste. Once dried, they become like slightly sour and sweet candy. The rains are attacking them right now aiming to kill what is left of the plants but I picked another 10 pounds or so today.
You came here to learn about audio but you are also learning about gardening and preserving food as well. Surely that deservers a raise for me in the form of additional donations using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/