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Audio-Technica AT8202 Adjustable In-Line Attenuator Measurements and Review

GXAlan

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Audio-Technica AT8202 Adjustable In-Line Attenuator Measurements and Review

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The AT8202 is an analog attenuator that provides up to adjustable attenuation for XLR devices in 10 dB increments (-10, -20 and -30 dB). It is made in Taiwan. These are primarily used to attenuate microphones, but if you have a high gain amplifier, you may not be using the full output power of your DAC. The question is if the DAC's internal digital volume is good enough or if these expensive accessories actually do anything in the present day. The theory is that as you attenuate the signal on the DAC digital, you're not attenuating the residual noise, just the signal. With these analog attenuators, the residual noise is also being attenuated. The Fosi ZD3 uses the internal volume control of the ESS DAC and it's a pretty good setup.

Test Setup
Fosi ZD3 into E1DA Cosmos ADC
HP Envy 15 on AC power

Baseline Measurement: 111.1 SINAD
(80 volume on the ZD3)
1743796274121.png


I can get 116 dB SINAD even at 78 vol when I run my laptop off battery power, but is a nice real-world example of how actual performance may differ from theoretical max.

VOL set to 70 = 103.6 dB
vs.
80-10 dB AT8202 = 107.4 dB
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VOL set to 60 = 94.2 dB
vs.
80-20 dB AT8202 = 99.5 dB
1743796479981.png
1743796506650.png



Frequency Response
1743796631175.png


Note that the attenuator set to -10 is actually closer to -12 dB. This means that the AT8202 performance benefit is even higher than the numbers I have shown.

Conclusion
A high-end analog attenuator is superior to the internal DAC volume of the ESS 9032Q2M. That said, at pre-2025-tariff pricing, a Fosi ZD3 is around $170 while a pair of these analog attenuators is already $144 at retail (though discounts can be found)!

1743797301650.png
1743797334835.png



The extra 5 dB in SINAD is unlikely to be audible, however if the residual noise of your DAC/amplifier/speaker combo is audible, using an attenuator might be a good solution. The Audio-Technica AT8202 may be one of the most expensive attenuators on the market. Future testing will be needed to determine if generic-fixed, or generic-variable XLR attenuators that are available at lower prices are equally as effective compared to the digital volume of the ESS DAC. These are much more affordable.

1743797271069.png


@amirm
 
Audio-Technica AT8202 Adjustable In-Line Attenuator Measurements and Review

View attachment 441964
The AT8202 is an analog attenuator that provides up to adjustable attenuation for XLR devices in 10 dB increments (-10, -20 and -30 dB). It is made in Taiwan. These are primarily used to attenuate microphones, but if you have a high gain amplifier, you may not be using the full output power of your DAC. The question is if the DAC's internal digital volume is good enough or if these expensive accessories actually do anything in the present day. The theory is that as you attenuate the signal on the DAC digital, you're not attenuating the residual noise, just the signal. With these analog attenuators, the residual noise is also being attenuated. The Fosi ZD3 uses the internal volume control of the ESS DAC and it's a pretty good setup.

Test Setup
Fosi ZD3 into E1DA Cosmos ADC
HP Envy 15 on AC power

Baseline Measurement: 111.1 SINAD
(80 volume on the ZD3)
View attachment 441967

I can get 116 dB SINAD even at 78 vol when I run my laptop off battery power, but is a nice real-world example of how actual performance may differ from theoretical max.

VOL set to 70 = 103.6 dB
vs.
80-10 dB AT8202 = 107.4 dB
View attachment 441969
View attachment 441970


VOL set to 60 = 94.2 dB
vs.
80-20 dB AT8202 = 99.5 dB
View attachment 441971View attachment 441972


Frequency Response
View attachment 441974

Note that the attenuator set to -10 is actually closer to -12 dB. This means that the AT8202 performance benefit is even higher than the numbers I have shown.

Conclusion
A high-end analog attenuator is superior to the internal DAC volume of the ESS 9032Q2M. That said, at pre-2025-tariff pricing, a Fosi ZD3 is around $170 while a pair of these analog attenuators is already $144 at retail (though discounts can be found)!

View attachment 441976View attachment 441977


The extra 5 dB in SINAD is unlikely to be audible, however if the residual noise of your DAC/amplifier/speaker combo is audible, using an attenuator might be a good solution. The Audio-Technica AT8202 may be one of the most expensive attenuators on the market. Future testing will be needed to determine if generic-fixed, or generic-variable XLR attenuators that are available at lower prices are equally as effective compared to the digital volume of the ESS DAC. These are much more affordable.

View attachment 441975

@amirm
It seems the "Balanced" attenuators on Amazon are not balanced (they are bi-directional), and are actually T-pads.

I'm using Shure A15AS's and they seem to be working fine and are a little cheaper than the AT8202's.
 
It seems the "Balanced" attenuators on Amazon are not balanced (they are bi-directional), and are actually T-pads.

I'm using Shure A15AS's and they seem to be working fine and are a little cheaper than the AT8202's.

Agreed. What’s interesting is that I personally went with the Audio Technica since I imagined that 10 dB would be what I really wanted and the Shure started at 15 dB. However, the AT actually measured as -12 dB and they rounded down to -10 dB and for all we know, maybe the Shure is -12.6 dB and they just rounded up to 15 dB! :)
 
Agreed. What’s interesting is that I personally went with the Audio Technica since I imagined that 10 dB would be what I really wanted and the Shure started at 15 dB. However, the AT actually measured as -12 dB and they rounded down to -10 dB and for all we know, maybe the Shure is -12.6 dB and they just rounded up to 15 dB! :)
Is there any reason to believe the Shure are worse performing? They seem to be mainly made from mic level not line level, does it matter?
 
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I realized the 15dB pad sounds better than the 25dB pad and works to avoid overloading the amp just as well. Does that mean the 10db (or 12dB) will sound even better?
 
Is there any reason to believe the Shure are worse performing? They seem to be mainly made from mic level not line level, does it matter?

No. I just meant compared to the no name Amazon ones.

AT8202 and A15AS have an input impedance of 1kΩ

Whereas
something like a Yamaha A8A has an input impedance of 200 kΩ and something like the Classe Delta Pre is 50 kΩ.

In theory, the lower input impedance of these attenuators has the risk of requiring more output current from the upstream device and potentially the risk of less flat frequency response. At least in my applications, it seems OK. @amirm may be able to add more insight to the consequences of the input impedance.
 
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