They should. The Ledbury and St. John are two of my favorite restaurants.The English should stick to cooking
They should. The Ledbury and St. John are two of my favorite restaurants.The English should stick to cooking
Personally, I love the look of this or Harbeth's Radial woofers, but I think that the goal is (partly) to look like elegance was compromised in favour of performance. A kind of "look at me, even uglier than Genelec, can't sound worse!" thing.
Could they at least not make the speaker look like tar was spilled on the woofer? At these price points, I wouldn't mind garbage performance (sad isn't it), but the looks? This thing better look like a Ferrari in terms of attraction level at these price points if you're not going to deliver the performance..
The people who write for What Hifi should go back to selling Vauxhalls."If you value insight and honesty above all else ..." That's rich, coming from WhatHiFi. (I realize they're talking about the v2; my comment is about WhatHiFi in general not this speaker in particular.)
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[source: https://www.whathifi.com/atc/scm19/review]
Thanks to Amir for elucidating another of the myriad ways to waste money in this hobby.
Perhaps the ATC and PMC fanboys who criticize properly engineered loudspeakers (M2s, Kii Threes, 8Cs) as toys will go home now. And yes, I know Amir hasn't measured everything ATC and PMC make, but the deficiencies here are so severe and so unnecessary as to cast doubt on those companies' engineering capabilities.
That may be the case in their original conception but today the LS3/5A are sold, marketed and purchased by manufacturers and audiophiles for music, so to me it is even more interesting to see their test results and put the design intent and their current application into context.
Normally I would be reluctant to judge a mfrs good products based on their entry level but these are lazy, poorly made speakers. If a DIYer like Troels or Jeff Bagby published this design with these measurements, they would get roasted.Thanks to Amir for elucidating another of the myriad ways to waste money in this hobby.
Perhaps the ATC and PMC fanboys who criticize properly engineered loudspeakers (M2s, Kii Threes, 8Cs) as toys will go home now. And yes, I know Amir hasn't measured everything ATC and PMC make, but the deficiencies here are so severe and so unnecessary as to cast doubt on those companies' engineering capabilities.
Its not even that hard to make a good entry level speaker, there are a lot of those out there. They are usually limited in SPL output, but apart from that they are pretty good.Normally I would be reluctant to judge a mfrs good products based on their entry level but these are lazy, poorly made speakers. If a DIYer like Troels or Jeff Bagby published this design with these measurements, they would get roasted.
It will be a different world I'm afraid.Terrible news. I'm worried which of my haunts will be gone when NYC reopens.
Ouch. These really look horrible. The grilles of my K&H O300D look nicer, are very expensive but almost indestructable (you could beat them with a hammer without destroying the drivers).Ooo wait till u see how their grilles look like. (To be fair, at least they have a grille when most studio monitors don't. Genelec is really an oddity.)
To be fair I have seen worse, from a speaker that asks for $2.5k
Zero chance I am buying these speakers though I do feel like piping in that I actually really LIKE the looks. Especially the grill. Very industrial and duty oriented. I also dig the hard lines and simple satin of the cabinets.Ouch. These really look horrible. The grilles of my K&H O300D look nicer, are very expensive but almost indestructable (you could beat them with a hammer without destroying the drivers).
Kans sounded like 2 tweeters in a box to me.But then so have Linn Kans.....
S.
I'm glad that we are beginning to see speakers come onto the market that are specifically designed to work either against a wall, or you can adjust for wall distance. This is a crucial domestic retirement ignored by so much of the market for to long.Thing is, so many small 'monitors' seemed once upon a time to be balanced more this way I think, with lifted upper mids and for us in smaller well furnished listening rooms it's something of a godsend as the bass is so taut, allowing closer to wall mounting (which ruins Harbeths for example if placed too near to walls with their less well damped bass and heavy port use).