Grow up will yah!
I call my 'habit' a virtue and therapeutic!Not a gamer, but I have one glaring weakness:
PacMan only requires the use of the arrow (L/R/U/D) keys, which allow me time to gather/formulate my thoughts, while playing.
Grow up will yah!
I call my 'habit' a virtue and therapeutic!Not a gamer, but I have one glaring weakness:
Hey, to be fair I sympathize with your feelings. I have a ton of games from NES to current gen. I learned about how frustrating retro gaming on modern hardware was when my best friend and I wanted to play through some of his old shooters. I don't want you to think I was being dismissive or anything.Oh I play a ton of modern games. But sometimes you have to relive the classics. And sometimes you have to drag out the old VHS player to sort through a pile of black spines that might have family movies on them.
How good is the audyssey program even in general? I use my room correction but i cannot for the life of me wanna be using the eq they provide with the test because it quite frankly makes the audio sound like complete crap!How good is Anthem's room correction technology (ARC)?
Is it on par with Audyssey MultEQ XT32 or Dirac Live?
¯\_(ツ)_/¯
To get a good in room response you'll need to purchase and use the app with it. My understanding is it tends to target a flat in room response which is not the right target. You want a response that is slightly sloped so the bass is higher and the treble is slightly lower.How good is the audyssey program even in general? I use my room correction but i cannot for the life of me wanna be using the eq they provide with the test because it quite frankly makes the audio sound like complete crap!
This could be due to my crappy room and the instability of the acoustics in my cheap, crappy studio apartment.
How good is the audyssey program even in general? I use my room correction but i cannot for the life of me wanna be using the eq they provide with the test because it quite frankly makes the audio sound like complete crap!
This could be due to my crappy room and the instability of the acoustics in my cheap, crappy studio apartment
$6000 in today's audio dollars is roughly equivalent to a $3500 product of just a few years ago.Same critique like I always have for AVR and AV processors: $6k for 10 years before it is outdated.
Great performance but for $6k, it's not something I would stand up to clap my hands for encore.
I know it's not a simple 1:1 process, but this is a $6,000 A/V preamp/processor. It has multiple HDMI inputs and is marketed to be the centre of a home theatre system - not just an audio product. I do think there's a midpoint between "nothing" and "super-niche high-end product" that Anthem could be covering here - the kinds of things that have been standard in more mainstream A/V receivers for years, for example.It's not simple upscaling. There's a lot of processing that goes into units like the OSSC or RetroTINK. Your misconception is that this is a simple 1-to-1 process. There's no reason for an audio company to invest the money into accommodating a niche into an already niche item.
It's also not about speed running or competitive gaming, it's about appropriate image quality, in much the same way we're here for audio quality.
Take a look at the length of the RetroTINK 4K WIKI and then ask yourself if you actually expect an audio company to build in this kind of product for people mostly interested in movies:
RetroTINK 4K wiki
I know we be not in video-forums but shouldn't the [video] upscaling/conversion be the ultimate responsibility of the TV rather than any AVR or pre/Proc, which may be within (middle) the video decode loop??Upscale conversion is something I expect in a $6000 Pre/Pro.
For digital signals yes but I think in the case of accepting an oldschool analog input and then outputting a digital signal over HDMI, it makes sense to do this in the receiver.I know we be not in video-forums but shouldn't the [video] upscaling/conversion be the ultimate responsibility of the TV rather than any AVR or pre/Proc, which may be within (middle) the video decode loop??
Hmmmm.. correct me if I am wrong here. I bought my AVM70 last year. The XLR performance(AVM90) is the same as both my XLR and RCA output. Only the RCA takes it by 3-4 db, but I paid less than half the sale price minus 1 or 2 features. Edit: Dynamic range takes a hit, and basically it’s 5 db difference. Also it’s relative sinad through the volume band is bit better
This is pretty disappointing and I’m certain this sale was pushed by the Marantz processor.
Seems fairly disappointing. Especially with all that about it’s far superior to the AVM70. This seems to me to be massive diminishing returns, and can probably doubt that it could make the AVM90 win in a dbt especially in multi ch
To get 15.4 channels you need to spend a lot more than Anthem look at Trinnov and Storm Zaudio two to three times the price!If one doesn't need 4 subwoofers, the 70 is a better value, objectively speaking. About the DNR number you mentioned, the one Amir measured is an earlier model, so it might have the AKM DAC that has a little lower DNR.
The $7,500 (when no on sale) AVM 90's only 4 dB better than the AVR-X3800H. So much for "implementation"! When you consider the ES9038Pro dac used in the AVM 90, that has DNR spec of a whopping 132 dB, measured 112 dB implies something got loss in implementation, and that is not debatable really.
It just shows that marketing info are often over hyped, including the case of the AVM 90 and AVM 70. Despite what people often would rush to point out implementation is more important than the chip used, I have not seen much evidence that using chips with lower specs dac resulted in better number than using chips with lower specs but claimed to implement better.
One obvious exception is D+M's X4800H, and the Cinema 40, those two obviously have excellent implementation schemes in their preamp/dac section. Whereas in the Anthem's case, the use of the top notch DAC doesn't really make any difference in terms of measured performance.
Objective measurements aside, in terms of their user's listening experience, Anthem seems very successful, as it seems that all of them (me included) reported excellent sound quality, versus just about any other AVP/AVR brand's. That's a highly subjective matter, and other brand's (Arcam, NAD, Emo etc.) loyalist/fan boys might take exception to their claims lol...
Yes that’s what I meant!I think the more correct naming convention for the kinds of layouts these processors can create is "Base level.Subs.Heights". So this particular receiver is a 9.4.6 rather than a 15.4.
Awesome!We have waited a long time for AV products to break into our "green" level of performance and we finally have a couple of examples with AVM90 being one. So by standards of the category, AVM90 is an excellent offering. Couple of that with very responsive user interface and functionality and you have a very nice package. I hope company aims one grade higher in future products to close the gap further with music-only DACs.
Which photo, where?Why is the LFE low-pass set to 40Hz in the first photo? Shouldn't it be left at 120Hz to allow any content mixed into the LFE?
The first photo at the top of Amir's review.Which photo, where?
First photo, that's very easy to miss!The first photo at the top of Amir's review.