His current clients, maybe. I don't see the point of discarding them if they're already done, put them in a link to avoid web page clutter, at least; otherwise, it may look like cherry-picking data that make the products shine.
But you get all the inconvenients of mismatch between on and off-axis tonality. Really, in a 3-way, you can have wide and relatively well behaved directivity, but in 2-ways, there's too much compromise in tonality, unless you do like March Audio (Sointuva) or Dynaudio (LYD5) did and use a very big tweeter with a "small" woofer and/or an extreme crossover frequency.
To be honest, do you listen to any of the genres that are reported by some members having both wide and medium/narrow directivity speakers as not being fit for wide directivity (e.g. electronic music, heavy metal)? Do you think your and Jim's customer base has quite eclectic tastes too? The question may seem loaded, but it is sincere, as the "wood fetishism" (no offense intended, they're very pretty, though I think that wood clashes with raw drivers) is certainly an important part of the brand and I don't usually associate its members with these kind of genres.
I do agree, and it may be better left to companies with people trained in FEA software. Though Augerpro showed that you can manage some results with enough trial and error.