You are mistaken on that. The idea is not to "break" a codec but to find its limits of performance. The content needs to be "legal" otherwise. To wit, MPEG, ITU, and other international standards groups have created a set of audio clips used for lossy codecs. Here is the list:@amirm. It also was pointed out continuously that what you suggest is NOT how good testing works. Instead, you create test cases that intend to break the system.
All of these are legal music but will stress codecs due to carefully chosen material that a) pushes the codec to the limit and b) makes it easier to hear the artifacts.
Do you see square wave here? No.
Do you see impulse? No.
Do you see white noise? No.
Do you see ultrasonic content? No.
Do you see random bits to break the encoder/decoder? No.
You see carefully chosen natural recordings that are chosen and standardized for evaluation of such coders. No one can argue that these clips are not valid input to lossy codecs.
OP, not being familiar with this field, threw a bunch of test clips at MQA. MQA explained to him why this was not correct that the very foundation of MQA is the assumption of the music content in music file. He ignored that. Didn't come and ask people like me what we thought. He decided he knew enough and ran with it. The result is that his testing can be and is easily dismissed as being broken.
Please learn to listen to experts and people who do this for a living. Not everything works based on how your audiophile experiences and stuff you read online. Some topics in audio are very complex and this is one of them.
BTW, this is the forth or fifth time I have explained this very thing. I hope we are done and a new challenge doesn't come up yet again.