First of all no where did my statement declare you tested items that were from child labor (as I really do not know if that is true or not), my comment was in response to post's here comparing the EAR's very high retail price, A UK made product to the much far much cheaper knock off's versions or a similar made version coming out china that come from a very unregulated region (China) that also happens to be copied designs from EAR. They sound very similar and very cheap compared to the real McCoy.
That just tells me these products are such simple designs, that they are "ripe for the copying", so to speak.
All they have is their reputation of having a unique "sound", but in reality that part is childs play to copy.
If only they could trumpf the market by appealing to build quality and customer service, but that wouldn't fit the silly mythos about soul-like "sounds" inherent to different types of audio gear.
That is seriously an ignorant response you just made above, Have you not seen all of the many, many knock off audio items coming out of China; it's flagrant. You'll see names like Goldmund, Conrad Johnson, and especially EAR preamps seen on eBay and on AliEpress that come from China? Many, many are stolen IP, Not to mention Cardas, XLO audio, Furutech that are categorically stolen IP, copied and even advertising them under the name they copied them from; and all are unauthorized stolen IP. For direct evidence, You can simply go to eBay and search for EAR phono preamp and see what comes up. On Aliexpress, with the same items they even show you a copy of the schematic they used; it's the same items being sold on eBay.
Copy products are definitely a problem, I'll give you that. But... you just had to mention Furutech
Companies like that make nothing but blatant unapologetic snake-oil products. I really don't cry for them when opportunistic Chinese manufacturers copy their nonsense. It actually seems more like instant karma than anything else.
The audio business as a whole has been hit extremely hard economically, especially companies like EAR by chinese companies making their gear that was originally, created, designed, developed and made elsewhere. All taken from the same schematic without permission.
The audio business has dug their own grave by focusing massively on creating stories about their products doing magical things.
It's not hard for a copycat product to grab a large market share when a marketing blurb similarly flowery to the original does most of the legwork.
Not trying to defend the bootleg industry, but if most of the "qualities" of your product are bogus, you are sort of begging for it.
This is not to take away from companies like Audio-GD and Denefrips that have worked very hard, created their own IP and make very good, high quality, authentic audio gear, they're awesome companies but their items are also not cheap and unfortunately they are just a small minuscule amounts overshadowed by the masses of well documented stolen IP items with fake labeled components inside the audio gear that is being sold for pennies on the dollar and we're guilty of buying it. Of course they're going make it seem like the real McCoy is too expensive.
Audio-GD is probably one of the best examples of overpriced garbage you can find, IMO.
Tons of fancy components thrown at "audiophile approved" typologies stuffed in a box with terrible performance to show for it.
To me it seems like they are just exploiting the hobby in a different way. Instead of copying the nonsense, they make their own version.