Same. I’m only four years into unlimited, but amortizing away, probably north of 30 hours a week.I'm glad I didn't listen to that argument when I bought the license enough years ago that it's now paid for.
I have it on pretty much all the time.
Same. I’m only four years into unlimited, but amortizing away, probably north of 30 hours a week.I'm glad I didn't listen to that argument when I bought the license enough years ago that it's now paid for.
I have it on pretty much all the time.
I unfortunately did and then ended up buying the lifetime license when the 12 month was up for renewal. At least it was before the price hike.I'm glad I didn't listen to that argument when I bought the license enough years ago that it's now paid for.
I have it on pretty much all the time.
That’s a great feature-by comparison camilladsp is extremely powerful but with power comes the responsibility to configure it properly-one click headroom management is a killer feature of roon.The DSP engine, clipping and upsampling are state of the art both in terms of algortihms and ease of use.
What makes you say that about spending more time futzing with computers? The only time I ever had to “futz with the computer”, I was running a web server with a postgres database back-end on the same NUC as Roon, and my phone or laptop would often lose the connection to Roon. They make it pretty clear Roon should be the only thing running, but I thought I could make it work... lol. I haven’t had any problem with it since moving the web server/database off that NUC. That clearly fell into the “stupid user tricks” section of troubleshooting.Roon seems to me to be an option to get almost Apple like integration for a very limited selection of sources. If you want all the integration for all the sources, Mac/AppleTV/iDevice is a better (and likely both cheaper and less frustrating) option. But some people want to spend more time futzing with computers than listening to music, so…
Yes, EQ. I find EQ that only works over a very limited subset of content to be more frustrating than useful. EQ properly resides in a controller/management type device, be it an AVR/P or other hardware DSP box. Only then can it be applied to all the sources.
What makes you say that about spending more time futzing with computers?
I don’t get what you mean by EQ “that works over a very limited subset of content”. Roon’s EQ, of course, can be applied to any of its content.
Gotcha. No argument there. That’s why my Roon core runs Linux.Because windows is terrible and the contraptions that run it are even worse. Just like at our host’s recent thread about his latest non-Mac computer purchase!
Gotcha. No argument there. That’s why my Roon core runs Linux.
In RME threads, you have always people saying EQ is better done in software. In Roon threads, you read a variation of this. Both have their advantages and I use both. On my desk, my RME has multiple inputs and outputs I don’t really change and EQ, once set up, just works. For other rooms, I only use Roon as input and software EQ is totally fine. I sometimes miss easy bass and treble adjustments via remote, but that’s about it.What if you want to watch a YouTube video. Oops, no EQ.
Apple Music? Roon can’t help you there.
A CD, DVD, or Blu-Ray? Nope.
Vinyl? Ha ha!
Putting the EQ in the proper place within the signal chain (I.e. not in a source component with very limited content options) will preserve system fidelity for all sources.
Roon Rock is a point and click install from my experience. Running on a fanless pc for about 3 years now. I haven't given it a second thought since then. For those wanting Tidal/Local library, multiroom, with EQ it works amazingly well. However, your point about other sources is a good one. To get EQ on all sources like you mention (Streaming of TV/Movies, disk playback of movies, vinyl etc) you must have hardware based EQ such as a receiver.Linux is inherently a choice for computer tinkerers, so “futzing with computers” is still an apt characterization. I did not intent that to read pejoratively, but as a statement of fact.
In RME threads, you have always people saying EQ is better done in software.
In addition what was said already, most important integration of streaming and local files,
Because windows is terrible and the contraptions that run it are even worse. Just like at our host’s recent thread about his latest non-Mac computer purchase!
What if you want to watch a YouTube video. Oops, no EQ.
Apple Music? Roon can’t help you there.
A CD, DVD, or Blu-Ray? Nope.
Vinyl? Ha ha!
Putting the EQ in the proper place within the signal chain (I.e. not in a source component with very limited content options) will preserve system fidelity for all sources.
ThisThe biggest benefit is the UI... Since I purchased it, I have listened to more music in the past 3 years (and found more new music) than all the years before combined I would guess. Enjoying playing and finding new music were worth the price for me several years ago via lifetime.
I’m aware of the RME advantages, that’s why I’m a very happy owner. And I am in Apple’s walled garden for over 25 years and used Apple Music exclusively for 5 years, but I’m not seeing myself going back anytime soon. Dolby Atmos is certainly interesting, but not really a thing yet in genres I’m following. I think I read in the Roon forum that they have big fans in Cupertino and had productive talks, but nothing concrete yet. Will see… it’s been a long time I didn’t find something on Qobuz anyways. And they pay artists more, at least that’s what somebody on the internet said.People are allowed to be wrong, and to have low standards. Software based EQ will never work on non computer sources, so it’s inherently inferior to a real audio controller unless you’re willing to severely limit your music sources.
RME ADI-2 in particular is a very smart device when it comes to EQ in use, even if setting up the EQ is tedious. (Maybe the new computer UI will fix the tediousness.) The headphone out, analog line out, and digital out (Pro only) all have different presets. So you don’t have to do anything beyond changing inputs to keep, say, your HD800 preset from infecting your KH 80 + KH 750 desktop monitors. Use Roon as EQ through RME and you lose that key functionality.
One can argue for more bands, but in real life that’s often just more rope with which to hang oneself. RME have a prescient video on headphone EQ here:
Again, basically just an alternative to Apple Music for people who don’t want to use Apple for whatever reason. I’m not sure why. Apple’s hardware just works, and their streaming service currently the best option IMO - more program than Tidal, Amazon, or Qobuz - including immersive/spatial -and none of your money goes to odious barbarians such as Spotify’s “marquee talent” Joe Rogan.