watchnerd
Grand Contributor
And some legitimately suffer.
Good strawman tho...
I measure my cognition in specific gravity.
And some legitimately suffer.
Good strawman tho...
View attachment 169989@mhardy6647
Are you sure it was Abraham Lincoln who said that?
Are you sure that it was NOT "William Bruce Cameron"?
"Not Every Count [e.g. Dracula] that knew how to count counted" << Yes, you could quote me on that!1963, Informal Sociology, a casual introduction to sociological thinking by William Bruce Cameron, Page 13, Random House, New York. (Google Books snippet view) (Checked on paper: Fifth printing, January 1967; Copyright 1963)
Amir, sometimes you leave me scratching my head... I guess you are not a designer so don't always have a deep insight into what you are measuring. In this case the DAC design is likely using what is referred to as a resistive I-V and as such will have significant voltage swing on the DAC's OP which is then amplified by the tube stage. This DAC chip (1704) is quite sensitive to voltage swing on it's OP and will produce significant distortion with too much. In traditional (ie: data sheet) designs the 1704 would be fed into a 'virtual ground' type opamp I-V with zero voltage swing at DAC OP. A lot of the distortion you are measuring could in fact be coming from the DAC chip and not the tube stage. You would really need to measure the DAC OP dist and so on down the chain to isolate which is adding what. Some circuits are sensitive to tube changes others are not. Some tube types have a higher variance in parameters than others, for eg high gm frame grid tubes come to mind. It's a deep subject and just grabbing a 1kHz spectrum from one product is not going to prove much.I recently reviewed the Mhdt Pagoda tube DAC. Owner was kind enough to send me three other tubes to test with it. Here are the set of tubes I received:
View attachment 168967
Let's start again with the tube supplied with the unit (GE 5670)
View attachment 168968
Now let's switch to Tesla 6CC42 (GA):
View attachment 168969
Other than slightly more mains hum at 60 Hz, I see no other difference. Gain is reduced negligible amount.
Next up is the Western Electric JW2C51:
View attachment 168970
Distortion is 0.7 dB lower. So nothing significant there.
Finally I tested the Western Electric 396A tube which produced a surprising result:
View attachment 168971
Channel 1 is the same but channel 2 has 6 dB lower distortion. Is half the tube better or is there some asymmetry in the design?
That's all I have for you.
Conclusions
It is clear that by far the source of distortion is the design and not choice of tube. In three cases the difference is negligible and inaudible. In the forth example, the WE 396A, there is reduction of distortion in one channel. In the larger picture, there is so much distortion here that reducing it with this tube is not going to make a difference one way or the other.
Notice the level of instrumentation it takes to see the impact of the tube. You need to measure to see if there is a difference and not just assume there is.
Personally even if I signed up for a tube product, I would not waste time "rolling tubes." You are likely to suffer more from "rolling placebo" by your brain than any variation in such tubes.
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Of course! The Count!View attachment 169989
William Bruce Cameron – Quote Investigator®
quoteinvestigator.com
"Not Every Count [e.g. Dracula] that knew how to count counted" << Yes, you could quote me on that!
I am not engaging in science projects. I don't have the luxury of time or frankly interest to analyze subystems in products I test. This project was about rolling tubes and that is what I did.Amir, sometimes you leave me scratching my head... I guess you are not a designer so don't always have a deep insight into what you are measuring. In this case the DAC design is likely using what is referred to as a resistive I-V and as such will have significant voltage swing on the DAC's OP which is then amplified by the tube stage. This DAC chip (1704) is quite sensitive to voltage swing on it's OP and will produce significant distortion with too much. In traditional (ie: data sheet) designs the 1704 would be fed into a 'virtual ground' type opamp I-V with zero voltage swing at DAC OP. A lot of the distortion you are measuring could in fact be coming from the DAC chip and not the tube stage. You would really need to measure the DAC OP dist and so on down the chain to isolate which is adding what. Some circuits are sensitive to tube changes others are not. Some tube types have a higher variance in parameters than others, for eg high gm frame grid tubes come to mind. It's a deep subject and just grabbing a 1kHz spectrum from one product is not going to prove much.
How rude of me! I would like to thank you @amirm for turning this stone over or rolling it or whatever.... This project was about rolling tubes and that is what I did...
Keep in mind that with one tube swap, distortion did go down 7 dB in one channel:
Maybe it was a little off topic for the thread. What I'm really curious about when you hear the difference. If the tubes wear out gradually and the sound gradually gets worse or if they work until they do not do so anymore. Either or that is, works or or does not work, or gradual deterioration.The subject was the tubes in this particular application, the DAC, as a line output stage that has a deliberate high distortion.
The tubes used by Amir do not show very different and audible differences.
That doesn't mean that tubes in power amps etc. that go bad and are replaced by new ones (which one has to do certainly with power amps) or that at least idle currents have to be adjusted.
You should understand that tubes were not made to the same specification, even the same tube types. And there was no STANDARD for frequency response (not to mention many tubes used in audio amplifiers were not designed for audio) back in the post WW II period that I am aware of. Are you? I've not seen references to 20 hz - 20 khz until like the 1970s.
SO:
would it not be stranger for the tubes to sound alike than it would be for them to sound different?
I have no idea what that is. But were tubes designed for flat frequency response in the audio band to the same spec? Military tubes were made to tighter tolerances but what does that mean? +/- 3 db? 10? 1?
Maybe it was a little off topic for the thread. What I'm really curious about when you hear the difference. If the tubes wear out gradually and the sound gradually gets worse or if they work until they do not do so anymore. Either or that is, works or or does not work, or gradual deterioration.
Ok I am supremely grateful to you, Amir, and to many others for the participation and education. This is the last time I can stand you responding this way to a decent objection to your analysis. This isn't how science works. It's just plain awful. Sorry man, it's awful.I am not engaging in science projects. I don't have the luxury of time or frankly interest to analyze subystems in products I test. This project was about rolling tubes and that is what I did.
As to your guess of what "a lot of the distortion" is coming from, is just that: a guess. It is not like you have this unit or have its schematic to know any better. Keep in mind that with one tube swap, distortion did go down 7 dB in one channel:
So unless you have some hard data, I suggest you lay low in the insult department and random guessing.
This is the last time I can stand you responding this way to a decent objection to your analysis.
I believe it's called tube rolling because of the gentle circular motion your hand and wrist make when you remove the tube from its socket. Pulling straight up tends to not work so well as the socket usually grips the tube pins very tightly, and you don't want to exercise so much pulling force that you could theoretically shatter the glass housing.I never understand why it's called "rolling tubes" as opposed to "changing tubes". It seems to imply some inherent skill involved in the process.
i replaced my pre amps 6922/E88CC's and power amps 12AU7's tubes with adapters and.... CV-181's...Interestingly, I could stick a JW2C51 in my 6922-based headphone amp if I used an adapter.
Personally I see nothing wrong with these sorts of experiments, as long as it is clearly stated that the conclusions of the experiment don't extend past the scope of what is being demonstrated, or at least not imply that it would be.I am not engaging in science projects. I don't have the luxury of time or frankly interest to analyze subystems in products I test. This project was about rolling tubes and that is what I did.
As to your guess of what "a lot of the distortion" is coming from, is just that: a guess. It is not like you have this unit or have its schematic to know any better. Keep in mind that with one tube swap, distortion did go down 7 dB in one channel:
So unless you have some hard data, I suggest you lay low in the insult department and random guessing.
That word has become an "earbug" for me and I have to stop reading this posts.I believe it's called tube rolling because
Don't bogart that TUBE, my friend
Pass it over to me.
Ro-o-o-o-o-o-o-o-o-o-o-o-o-o-o-oll another one
Just like the other one.
This one's burnt to the end
Come on and be a friend.
Can you find him on a poster with the quote? If so no one would buy it or care.William Bruce Cameron – Quote Investigator®
quoteinvestigator.com
1963, Informal Sociology, a casual introduction to sociological thinking by William Bruce Cameron, Page 13, Random House, New York. (Google Books snippet view) (Checked on paper: Fifth printing, January 1967; Copyright 1963)
You realize what he asked for? That I open, reverse engineering the unit, find out the proper DAC output prior to buffer and measure that. No way I can sign up for this, nor defend any such results. If a product has external outputs for such, sure, I measure that as I do for AVRs and such. But without, and based on some guess, on a product no one cares about, it has no justification.Personally I see nothing wrong with these sorts of experiments, as long as it is clearly stated that the conclusions of the experiment don't extend past the scope of what is being demonstrated, or at least not imply that it would be.