I alluded to this earlier, but I want to take the time to explain it.
Equalizing a speaker in a room with directivity considerations...
Many B&W speakers have considerable directivity errors. That means the frequency response of the off axis sound varies from the direct sound. The off axis sound is what is reflected from walls, ceilings, floors. While the direct sound may be fairly (or even very) even, the reflected sound may not be. How does EQing that uneven sound work in a room? The answer is: unpredictably.
Consider the measurement from your speakers posted earlier in the thread:
The direct sound is purple, and I assume red is 30 degrees off axis and blue is 60 degrees (?) off axis. You can see how much the frequency response changes from 0 to 30 to 60 degrees. Sixty degrees and greater is typically what is reflected back to you from the side walls. As reflected from the side walls, you are not hearing the purple line; you are hearing the blue line and worse. Those reflections mix with the purple line at a slight delay (phase difference) before reaching your ears.
This is a standard beamwidth plot, which illustrates the radiation pattern of the speaker according to its directivity properties:
This is not entirely accurate, but imagine the area inside the red lines is the direct sound. Within +/- 30 degrees, you hear all frequencies fairly evenly in a balanced speaker, or in your case, something like the purple direct sound line to the blue 30 degree line in your speaker's FR graph above. As you move off axis, the FR changes considerably. Imagine the magenta, green, and gray lines in the beamwidth graph are reflecting off the side walls with very uneven FR and mixing with your direct sound.
To make it easier to visualize, I will stand it up like the speaker would stand:
Imagine applying EQ at 8KHz, for example. If I am pushing the DRC curve around trying to affect parts of the FR I measured in my room, does the EQ change affect the magenta and gray lines in the same way? In the same amount? What happens when we introduce phase?
Here is a better B&W speaker. The area within the red lines is smoother, but things still get very ragged outside the red zone.
This speaker is also difficult to EQ due to its ragged reflections. (I owned the 805N for 20 years.)
Hopefully, this illustrates the difficulty of what you are trying to accomplish above about 1000Hz. Very much measurement, re-measurement, and trial and error will be required to get great results.
BTW, a typical room asserts its influence up to around 1000Hz. Below that, DRC is very effective at smoothing FR. Above that, I usually find it best to let the speakers be themselves after I have optimized placement, which is the 1st thing I do. Scratch that. The 1st thing I do is choose a speaker with even directivity an smooth FR, such as a Revel or KEF, then I optimize placement and continue on from there.