techsamurai
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Speaking of upgrade hell, I find myself in the middle of it after trying 3 new AVRs
My Marantz 8002s (3 of them) are getting old and I'd like to get HDMI 2.1 and eArc. I also thought I could go separates and use the 8002s as an external amp as they certainly have better power than almost any Denon or Marantz on the market today.
My original expectation was better sound especially in stereo with the 8002 as the amp. Now I would settle for similar or very close sound since clearly none of these are the 8002's equals.
My focus is on music because I've lived with the 8002 for 15 years and as we'll find out later, it's very musical and almost an anomaly in the AVR world. My jaw often hits the floor in movies, shows, and games when the 8002 decides to show off. There's zero fear that anyone's jaw will hit the floor with any of the 3 AVRs I've purchased. In that regard, they are quite safe choices.
I bought a RZ50 and quickly returned it - the Onkyo sounded clinical in music and Dirac Live could not save it. It was difficult to switch between the 8002 and RZ50 in music - the RZ50 has a massive soundstage but it was barren. The 8002 is a much smaller canvas but that canvas has the quality of a Monet painting or a reproduction of it.
I bought a Denon 4800h and I had high expectations as it's similar to the Cinema 40 (the current top of the line AVR in Marantz's lineup) and made in Japan. I ran Audyssey XT32 and I was hoping that would also help bridge the gap to the 8002. Also, the 8002 is used as the amp in stereo so the 4800h is just a preamp, hopefully giving a leg up in musicality.
Unfortunately, the Denon 4800h even with the 8002 as the external amp cannot reproduce the music as the 15 year old SR8002 - guitars don't sound the same, voices have no presence etc. I enjoy it as background music a lot because it completely disappears sonically but I'm not sure that's a quality that Denon would like to be known for.
In movies, it has slam and is amazing but it's almost a bit too much for a living room theater and it gets tough taming its volume so I can hear the center channel without irritating my family. But the RZ50 and Cinema 70 are also slammers and would fare better in a dedicated home theater than a living room theater.
Finally, I bought a Cinema 70 + 8002 (amp) to use in preamp mode with all channels powered by the 8002. The Cinema 70 sounds stellar in music, well, stellar, until you play the same song with the 8002 and you hear parts of the song that are important.
But part of that can be my personal preference or what the 8002 does in Stereo mode which bypasses surround processing and seems to do its own thing. It seems to find a lot of nuance and detail in voices, guitars and all instruments and I've isolated that to the 100hz to 1khz range which is the fundamentals range of sound as I'm learning. Whatever the 8002 does there, it makes it different and imho magical. I've always wondered why folks thought that AVRs can't play stereo music and I suppose if you are used to the sound of your amazing stereo receiver, you're in for a surprise when you hear these AVRs which is where I find myself, only I have an AVR that does that.
I can't fault the RZ50 because it's a cheap AVR on sale and is well made. I can't fault the Cinema 70 because it sounds great for a cheap AVR with separates and is also well made.
I can only find fault with the 4800h which has the best version of Audyssey and is the Cinema 40's cousin. At its normal price (I paid $1,400), I'd expect the 4800h to match the 8002 in stereo music given the fact that 15 years have passed by.
Here's a review that sums up the 8002 and this is echoed by anyone that's heard this puppy:
It's exactly what I would have said. It's a magical AVR and now I wonder if even the AH1 can come close in 2 channel stereo. People have even been critical of the $14,000 AV10 and AMP10 in music... My BDI cabinet cannot accommodate any of those so they are not even in consideration, nor am I inclined to pay that much.
I can keep the 8002 and use it for music but it's a massive pain changing the volume.
Also if I keep the 4800h or Cinema 70, I'll have to settle for a less refined movie theater, TV, and game experience which are 75% of my use case.
So what choice do I have? Should I call Marantz and Denon and ask them to get back to work?
My Marantz 8002s (3 of them) are getting old and I'd like to get HDMI 2.1 and eArc. I also thought I could go separates and use the 8002s as an external amp as they certainly have better power than almost any Denon or Marantz on the market today.
My original expectation was better sound especially in stereo with the 8002 as the amp. Now I would settle for similar or very close sound since clearly none of these are the 8002's equals.
My focus is on music because I've lived with the 8002 for 15 years and as we'll find out later, it's very musical and almost an anomaly in the AVR world. My jaw often hits the floor in movies, shows, and games when the 8002 decides to show off. There's zero fear that anyone's jaw will hit the floor with any of the 3 AVRs I've purchased. In that regard, they are quite safe choices.
I bought a RZ50 and quickly returned it - the Onkyo sounded clinical in music and Dirac Live could not save it. It was difficult to switch between the 8002 and RZ50 in music - the RZ50 has a massive soundstage but it was barren. The 8002 is a much smaller canvas but that canvas has the quality of a Monet painting or a reproduction of it.
I bought a Denon 4800h and I had high expectations as it's similar to the Cinema 40 (the current top of the line AVR in Marantz's lineup) and made in Japan. I ran Audyssey XT32 and I was hoping that would also help bridge the gap to the 8002. Also, the 8002 is used as the amp in stereo so the 4800h is just a preamp, hopefully giving a leg up in musicality.
Unfortunately, the Denon 4800h even with the 8002 as the external amp cannot reproduce the music as the 15 year old SR8002 - guitars don't sound the same, voices have no presence etc. I enjoy it as background music a lot because it completely disappears sonically but I'm not sure that's a quality that Denon would like to be known for.
In movies, it has slam and is amazing but it's almost a bit too much for a living room theater and it gets tough taming its volume so I can hear the center channel without irritating my family. But the RZ50 and Cinema 70 are also slammers and would fare better in a dedicated home theater than a living room theater.
Finally, I bought a Cinema 70 + 8002 (amp) to use in preamp mode with all channels powered by the 8002. The Cinema 70 sounds stellar in music, well, stellar, until you play the same song with the 8002 and you hear parts of the song that are important.
But part of that can be my personal preference or what the 8002 does in Stereo mode which bypasses surround processing and seems to do its own thing. It seems to find a lot of nuance and detail in voices, guitars and all instruments and I've isolated that to the 100hz to 1khz range which is the fundamentals range of sound as I'm learning. Whatever the 8002 does there, it makes it different and imho magical. I've always wondered why folks thought that AVRs can't play stereo music and I suppose if you are used to the sound of your amazing stereo receiver, you're in for a surprise when you hear these AVRs which is where I find myself, only I have an AVR that does that.
I can't fault the RZ50 because it's a cheap AVR on sale and is well made. I can't fault the Cinema 70 because it sounds great for a cheap AVR with separates and is also well made.
I can only find fault with the 4800h which has the best version of Audyssey and is the Cinema 40's cousin. At its normal price (I paid $1,400), I'd expect the 4800h to match the 8002 in stereo music given the fact that 15 years have passed by.
Here's a review that sums up the 8002 and this is echoed by anyone that's heard this puppy:
Power and panache
Now, if all this makes this Marantz sound like something of a beast, it is; but it's a beast that's about as house-trained as Lassie. Pushed hard, the top-end stays smooth and refined, while the midrange has a hint of warmth that's rare in the world of multichannel amps.
Play a movie with a low-key soundtrack such as The Proposition and this Marantz is right at home, making the most of vocal nuances and small-scale effects of the kind that create an atmosphere rather than make your windows rattle.
The good news continues with music, where the company's reputation of making fine, musical-sounding kit remains intact.
It's exactly what I would have said. It's a magical AVR and now I wonder if even the AH1 can come close in 2 channel stereo. People have even been critical of the $14,000 AV10 and AMP10 in music... My BDI cabinet cannot accommodate any of those so they are not even in consideration, nor am I inclined to pay that much.
I can keep the 8002 and use it for music but it's a massive pain changing the volume.
Also if I keep the 4800h or Cinema 70, I'll have to settle for a less refined movie theater, TV, and game experience which are 75% of my use case.
So what choice do I have? Should I call Marantz and Denon and ask them to get back to work?