You just better hope you're not sensitive to the treble spike in the HD 560s. If it hits you in the wrong spot (as it did me), it hits hard.
The 560s is a decent choice and good value for money if you can tolerate the treble spike, which I suppose can be tamed by EQ. But the can also is very bland and sterile due to its devotion to neutrality.
It's also not tolerant at ALL of poorly recorded tracks. The 560s is a magnifying glass -- it will let you hear almost exactly what was recorded, mixed and mastered. That's a good thing with many tracks and styles of music. It's a bad thing for others.
I sold my 560s because of the treble spike and because it didn't work very well with any rock tracks after about 1990, when the loudness wars started to infect studios. Sadly, that's a malaise that still exists.