Just to add to the chorus, I've never heard the fan come on with either of my XLS2502s. They have sufficient finesse for my ears and give me the ability to run subs with an adjustable high pass which is gold in my book.
The "A" in ARC will take care of all the delays.1mS. is over a foot. I guess I would tell ARC it is a foot further away than it is.
Looking at their line. XLi, no DSP I don't need, XLS, seems to have some, so that implies a A2D / D2A process with subsequent delays. Need to search to see if an XLi has been tested.
Getting frustrating as I have a budget, but can't find anything that is just right. Best bet may be an old used AB for the single sub in the living room and use both old O-Audio plates for th HT. ( 350 @ .05% into 4)
The XLI series are class A/B amps and those fans will run. I bought one for an installed sound application and tried it at home just for fun. No complaints about the sound but the fan ran all the time and was clearly audible at low listening levels. If you put it far enough away maybe it doesn't matter. If you were to keep the XLI, perhaps a different fan (and maybe different fan position) would make some difference.
Just curious as to why, did you require more power or something else?It’s installed at the client’s auditorium. It did make me think about pro amps in home systems and I subsequently bought an XLS1502 for my front LR pair and sold my NAD.
I have a Crown XLi1500 and an XLS1002, and never heard their fans. Sitting like 2.5 ft in front of them with NO music playing. The XLi has 2 fans! Using now a Behringer A800 with an RME ADI-2 DAC v2. The Crowns are in reserve duty.The XLI series are class A/B amps and those fans will run. I bought one for an installed sound application and tried it at home just for fun. No complaints about the sound but the fan ran all the time and was clearly audible at low listening levels. If you put it far enough away maybe it doesn't matter. The DSP delay in the XLS amp is so small that I can't imagine it matters. People in audiophile land worry about electrical delays that are so small that it's actually funny. The common recommendation is that both speaker wires have to be the same length to prevent signal delay differences. The delay from 1 foot of speaker wire is about the same as moving the speaker .00000000001 inches. Now how accurately did you place them? A one foot delay in the bass region won't matter. A one foot delay to both stereo speakers won't matter. A one foot delay to one speaker in a surround setup might make a small difference but no more than someone not sitting at the exact spot of the measurement microphone or you leaning back in your chair.
The RME ADI-2 DAC v2 is on my wish list!I have a Crown XLi1500 and an XLS1002, and never heard their fans. Sitting like 2.5 ft in front of them with NO music playing. The XLi has 2 fans! Using now a Behringer A800 with an RME ADI-2 DAC v2. The Crowns are in reserve duty.
It’s unlikely your Crown XLS fans would ever turn on in a home theater use case.I don't see anything that would cause me to get rid of any piece of NAD equipment that I have. But if I had the CROWN: I would be seeking a quieter fan situation.
I was basing what I would do IF the fans (on any piece of equipment that I had) were LOUDLY running , even occasionally. But first I would try to find out if this was normal (likely not in a home theater use case). And if it is not, seek resolution through the warranty, dealership exchange or (if they are being an A-Hole about it) legal means. If the fan noise is deemed normal then the choices are change to fans that are of an acceptable noise limit or change to entirely different amps.It’s unlikely your Crown XLS fans would ever turn on in a home theater use case.
I wanted to try the Crown amp just to see test if a pro PA amp could replace an “audiophile” amp. My NAD C275BEE was rated for 150wpc into 8 or 4 ohms, the XLS1502, 300/525. The NAD had occasionally tripped the output protection for no apparent reason from new. I found an XLS1502 on a pro audio auction site brand new for $300. I bought it, listened to it for a week and liked it. As clean sounding as anything I’ve heard with seemingly infinite power reserves. I sold the NAD and put $200 in my pocket. This amp at that price is probably the best deal I‘ve had in 40+ years of messing around with audio gear. If this one ever blows up, I’ll buy another pro amp.Just curious as to why, did you require more power or something else?
That sounds like a good reason to me.The NAD had occasionally tripped the output protection for no apparent reason from new.
That sounds like a good reason to me.
As long as the internal fans don't bother you and your happy with it then that's all that matters.
Rock and Roll my friend!