How did they measure back then?There, were measured test reviews at the time.... but 12 years later, some are websites are gone....
How did they measure back then?There, were measured test reviews at the time.... but 12 years later, some are websites are gone....
Distortion and S/N seemed good (going from memory) - power was excellent - lots of current, very capable at 4 ohm too.How did they measure back then?
Only 12dB for the sub ouch !Then you must not use room correction becauso almost every AVR or Prepro resamples to 44,1/48KHz then anyway.
What is more important ist that the Onkyo only uses a 12 db oct slope for the bass management of the mains. That will cause problems when using portet speakers or any speaker that has an in room response digging deeper than the crossover. Then the crossover slopes will be asymetric. That would be some audible flaw not the imo pointless discussion of sample rates.
Why would they do that ? Are they assuming LCR being closed boxes that naturally starts to fall off at 80Hz and expect you to use 80Hz or something like that , THX inspired ?No, they use 24 db on the sub but 12 db on the speakers.
That's an old THX legacy. Unfortunately a lot of AVRS are doing it that way. That includes Yamaha and D&M. With D&M that is somehow remedied since Audyssey let's the speakers roll of at 12 db via their target curve at the determined crossover frequency. This is however only working as long as the crossover is not changed afterwards. With the new multeq x tool you can manually set your speakers to roll of with 12 db at a frequency you chose which makes it quite easy to deal with it.Why would they do that ? Are they assuming LCR being closed boxes that naturally starts to fall off at 80Hz and expect you to use 80Hz or something like that , THX inspired ?
Would not 24/24 bee a more reasonable compromise.
I don't think I ever built one. Is there one off-the-shelf?
What is HEAPS?Distortion and S/N seemed good (going from memory) - power was excellent - lots of current, very capable at 4 ohm too.
Too much Jitter via the HDMI input (like HEAPS) - which was the norm for AVR's at the time - a few were starting to get jitter down... but rare
SPDIF Jitter was very good - by the standard at the time... best results were achieved using SPDIF (which is how I am using it, to this day)
Audyssey XT (not XT32) was adequate - but I always preferred it without the RoomEQ - always sounded more natural - and my system ain't half bad.... (this was my first experience / try with RoomEQ)
It also had biamping capability - you could allocate one of the channels for biamp, and use the onboard DSP for XO... tried it, but I think it just couldn't supply enough current for my speakers ... Athony Gallo used to demo them with a 500W@8ohm Spectron Musician amp.... so although the 876 is a muscley AVR, it isn't in the same order of magnitude as that! - I later tried the 876 with a pair of Crown XLS2500's - and that was a noticeable step up.... so the 876 also made a good pre-pro.
I will be sad to see it go, I have had an offer for it.... it's not much, but it will go to a home that appreciates it... and I am hoping that the Integra I have pre-ordered, arrives before I have to give it up.
do we have measuements of any of these ? Reliability is one thing but engineering quality like denon is a totally different thing.
What do you mean feedback here ?
This post above had results from a Marantz, which would be the same as Denons, and they're consistent with my understanding of Denon operation.Does Denon have lower internal sampling too? I would love to see this experiment done on a current Denon AVR.
I also had the 3008. Bought it because auf audyssey XT32. Hdmi did not fail but I had hissing when audyssey was switched on especially on the surrounds. The Denon 4500 does not have this problem. The Amps on the 3008 were quite beefy. The unit had two transformers. A small one and a really big one. Not compareable to the contemporary Onkyos.
I include a 12dB high pass filter in my Dirac target curves and pull the left curtain all the way down to include the slope of the filter in the full range for all speakers. It has cleaned up the bass tremendously. All processors should have selectable slopes for their crossovers.About the 12db crossover slope though - I will use the AVR with MiniDSP 2x4HD + 4 subs. The 12db slope might work well to give me the opportunity to keep it at 12dB or reduce to 24dB from MiniDSP. The mains having 12dB applied to them might get them more bass than necessary, but I have another trick that might work - I've stuffed the ports of all speakers (Infinity R263 and R162) and this might de-bass them sufficiently to reduce the sub-80Hz response further and integrate well with 24dB slope on the subs (Infinity R12).
Does that sound reasonable?