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So after I demoed the 8341s against the Kef Reference 1 and preferred the latter, I did note that the Reference 1 sounded more diffuse and spacious than the 8341s and wondered if it was because the 8341s were more of a point source design. So a buddy brought over his KEF LS50 Metas which I had not heard at length before. We A/B'd them side by side for about a good 4-5 hours, and tried our best to level match them. Since they were hooked up to separate outputs we were able to rapidly switch between them during songs with only a slight half-second or so delay.
The LS50 Meta had similar qualities that the Reference 1 had when pitted against the 8341s as well. It sounded more diffuse and spacious compared to the 8341s which sounded much more centered between the speakers, even though the LS50 is an
actual point source design, and the 8341s have multiple woofers venting output above and below the coaxial driver through slot ports with a 500hz crossover.
So I think the tighter tolerances and flatter FR above 1K is probably contributing to the much more anchored center image with the 8341s, but similarly as with the Reference 1s, the general 2-3db of extra sound power from the 8341s from 300-700hz made them sound forward, drums and piano had an extra amplitude and vocals were much more forward that made it a bit more fatiguing to listen to, in addition to the more compressed soundstage depth caused by the hotter lower mids. Vocals are slightly clearer on the 8341s, but also more fatiguing with female vocals--it's hard to tell if its because the vocals are more accurate, or they are just clearer because of the slightly boosted lower mid range in the power response of the 8341s, because female vocals sounded somewhat deeper than I used to as well.
Overall we both agreed the LS50 Meta was much more spacious and laid back, sounded pretty similar to a bass limited R3 or Reference 1, and in general more enjoyable to listen to. These are really giant killer speakers and I might get a pair for a secondary desk setup or something.