I know this isn't a factor for most but where I'm using Genelec professionally we have 30+ editing rooms, multiple audio track laying suites, surround sound mixing suite, and client review theatres, the ability to achieve a level of uniformity across the facility is extremely useful for client confidence.
Couple that with the genelec service life and parts availablity. AES signal inputs which are cleaner when bundled into multi cores then analogue and easier to de-embed from SDI or Dante.
In a home or small studio environment I get that some of that melts away in value. Where I can see the 80x0 having value is where you want SPL and or low end extension at a specific price point, especially if you have another room correction solution.
I cut my teeth on 1032a a long time ago in my first job (meter bridge with ns10 + 1032a, with quested hm415 far field) and just feel at home with the genelec sound. Appreciate many others have similar experiences with other brands. I'm pro Neumann & Dynaudio, but strangely struggled with PMC for no apparent reason.
Couple that with the genelec service life and parts availablity. AES signal inputs which are cleaner when bundled into multi cores then analogue and easier to de-embed from SDI or Dante.
In a home or small studio environment I get that some of that melts away in value. Where I can see the 80x0 having value is where you want SPL and or low end extension at a specific price point, especially if you have another room correction solution.
I cut my teeth on 1032a a long time ago in my first job (meter bridge with ns10 + 1032a, with quested hm415 far field) and just feel at home with the genelec sound. Appreciate many others have similar experiences with other brands. I'm pro Neumann & Dynaudio, but strangely struggled with PMC for no apparent reason.