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True, on the other hand from my understanding you mainly used 3 music tracks for setting the target curve for which you don't really know how they were mastered, right? If true, this would be rather a step towards continuing Audio's circle of confusion.
We show evidence in our papers that the preferred bass /treble varies with music recordings and that until the recording industry adopts a meaningful monitoring standard there is no perfect curve to satisfy all recordings which are inconsistentThat is a fact of life. That is what tone controls are for.
The tracks we chose have been thoroughly tested over the years with hundreds of loudspeakers and headphones and we have evidence they produce discriminating and reliable ratings in the tests. They also tend to produce the highest ratings on products that technically measure well.
Some of the tracks (e.g. Jennifer Warnes, James Taylor) are recorded by people I personally know like George Massenburg & Frank Filipetti so there is some traceability and pedigree to their origins