But I think that they are working it out logically based on the common experience of moving around different rooms and never noticing any change in people's voices or the sound of musical instruments. The ambience of the room is a separate thing.
Of course an audiophile can play with a graphic equaliser and the novelty of certain settings will sound 'better' for a while, suddenly providing more detail on the violins they never noticed before etc. but eventually they will go back to 'flat' again. This would be just the same with other processes such as 'Audio Spatializer' or 'Super Stereo' that sound like "Wow!" for a while, but are soon turned off.
Here are my own very unscientific ramblings. I guess I am not finding that experience to be true for myself: moving around the room and hearing no change in the sound of voices or instruments. I realize we are still talking above transition frequency. There would definitely be change at different locations below transition.
I also find there to be differences in tonality in different seats at live concerts, sometimes quite noticeable ones. Some of that is hall reflection, some is due to unique, non symetric and frequency dependent wave launch patterns of the direct sound from different instruments.
Or, do I think I am hearing a tonal change from speakers in a room or concert hall when only the spatial presentation has changed as I move around?
So, I think good speakers and the controlled speaker directivity thing are very positive, but I do not think they completely prevent tonal shifts at different positions around the room above transition. I think they can help to reduce, though not eliminate, the tonal effects of reflections, though. Also, reflections can still have time or image smearing contributions beyond tonality.
However, I think even with good speakers designed to the best dispersion principles, the sound above transition can still be brighter or duller in different rooms or at different locations in those rooms. I do think our brains can get used to the differing acoustic and compensate to a degree unconsciously. But, listening is more pleasurable if our brains don't need to do as much of that.