This is exactly my issue/question. What are we (or Paul is) referring to? What happens in the first few weeks from purchase or what happens five to ten years down the road? I’m sure there are different (theoretical) mechanisms.
I have some excellent wide range drivers from the late 60s no less. (dual cone CG type from RA date 1969).
When measured with proper studio professional condensor mics, they demonstrate very low distortion and excellent frequency response and typically in the 98-100db 1w/1m
Typical dual cone break up above 2khz can be controlled by rolling off well before + using DSP and I have read figures of THD 0.54% at 1KHz, 80db @ 1m
They have doped cambric surrounds which are actually known to
improve with age.
Many consider them far superior to the
CORAL FR types which are obsolete and hideously expensive.
(
Look at the 2% on axis distortion at 100hz!)
I don't personally believe ferrite or alnico weaken with age.
RA did provide some stuff for the BBC LS3/5a, for which exist very numerous forums.
My obvious worry is not overloading mine because they do die (overheated VC -plenty cooked so far).
Now one has to say most of the stuff I read above must be utter b..llx.
Major organisations like the BBC had their own labs and designs.
You can't diss the Beeb, you won't go far trying it.
If there were changes in speaker drivers in such obviously measurable monitors as the LS range, we would have known about it by now.
The BBC were far more thorough in their QC 20-30yrs ago than Amir here, yet I don't hear a thing from them about driver nightmares or massive aging hassles....in fact most BBC LS3/5a seem to hold their values pretty damn well.
"The LS3/5A is probably the most tweaked loudspeaker in the world! The original BBC Research team at Kingswood Warren spent many weeks refining the design and making tiny adjustments. At today's prices the development cost in excess of one million UK Pounds"
"im Finnie also told me how some of the LS3/5A enthusiasts at BBC Kingswood Warren considered it worthwhile optimising the crossovers. This was done by using a high- accuracy measuring bridge to check the value of crossover components, especially the capacitors.
Closely matched components were selected and where required were finally brought up to correct value by adding small values of C in parallel.
The aim was to bring the crossover component values as close as possible to their theoretical values in order to ensure that two LS3/5As in a pair were very closely matched."
commercial success?
Currently the following companies are (still) manufacturing the LS3/5A under licence from the BBC:
Falcon Acoustics
Graham Audio
Stirling Broadcast
Rogers International Ltd
Btw I loved the
cable cooker links.
Gems like this are hard to ignore.
"
It's easy to tell when a cable has been "overcooked" -- the sound becomes comparatively dull, "bleached," and the soundstage tends to shrink.
Fortunately, this condition typically passes after the cables are re-installed and played in the system for several hours.
Alan Kafton asserts that cable break-in is long-term but not permanent. He suggests that cabling (especially in the dielectric materials) benefits from a periodic "recharge" of 12 to 24 hours every few months."
'nuff said.