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never going to get smooth from a compression driver on a horn
JBL M2 and 705/708 seem to do it pretty well. Don't they use compression drivers?
never going to get smooth from a compression driver on a horn
Yes and all the other best measuring ones.JBL M2 and 705/708 seem to do it pretty well. Don't they use compression drivers?
Corrections to compression drivers can obviously be done, but driver to driver consistency of the amount being displayed here is going to wreak havoc on small DIY operations. Here's to hoping the Celestion CD in v2 has tighter tolerances. For these speakers and for their intended application, applying EQ/room correction should be standard procedure, anyway.Yes and all the other best measuring ones.
I don't think that will work. Even if you recreated the filter response in the curve editor, you still have to let Audyssey measure your in room response to try to match the target. My goal for anechoic correction would be to optimize the LW response and then allow the natural room response above the transition frequency.I do not think so, others will know more. But even without direct entry of PEQ parameters, you could match the required EQ curve. Something like this might help:
https://www.musicdsp.org/en/latest/Filters/218-plotting-r-b-j-equalisers-in-excel.html
JBL M2 and 705/708 seem to do it pretty well. Don't they use compression drivers?
This specific iteration was intended for HT, but the SEOS portion was developed after years of Geddes espousing his work on the OS horn shape in the DIY community, and the DIY kit community finally taking a stab at making it available to more DIYers instead of sourcing only via Dr. Geddes's hand crafting. I remember not being able to afford any of Dr. Geddes's iterations, back in those days. In the development process, the organizers decided to go the SE route for various reasons, with smaller vertical spacing for a larger vertical lobe being primary. That it happens to be great for HT is, IMO, somewhat incidental.I like the "power hifi" moniker, but I thought this was designed first for home theater. As such, it should be sensitive, low distortion and have good speech intelligibility.
How did it look? I have some measurements of the horisontal response in the M2 waveguide. Not sure how I'm supposed to measure that so I did it two ways - one where all the angles were measured with laser to the same distance from center driver and one where I just moved the mic in a flat line to the side. This is how it looks (EQ'd to flat on-axis for reference).Yes and no. JBL’s patented phase plug seems to be beneficial. However, without the active EQ they’re not very smooth. EQ takes care of some resonances and the end result is smooth. Unlike most I've measured 705i without EQ in the chain, so I've seen the raw response.
Pardon, what is the "SE" route?In the development process, the organizers decided to go the SE route for various reasons, with smaller vertical spacing for a larger vertical lobe being primary.
Super ellipsoid.Pardon, what is the "SE" route?
How did you design the cabinets without the t/s parameters? The crossovers were designed for 2pi space, I somehow don't think that would translate well to what sounds like a pole mounted 4pi situation.I built these pluse some volt 10's into some of my own cabinet designs, more suited for live use. The htm's sit on poles on some tham15's and the volts are for monitors. They turned out great in terms of build but the sound quality on both is just super meh. They both work pretty well with hefty EQ but that means more rack gear to haul. I'm hoping to toss some DSP+amp combo board from parts express into the volts. I very much like them as monitors. The HTM12's will be sold for sure.
That is fantastic! I am very excited! Feels like all the effort warrants a donation!Good news! Matt is shipping me the parts to upgrade the loaner v1 to a v2 so I can test it. Stay tuned…
How did you design the cabinets without the t/s parameters? The crossovers were designed for 2pi space, I somehow don't think that would translate well to what sounds like a pole mounted 4pi situation.
Fwiw, I like my HTM-12 v2.
From what I recall, the Volt measurements aren't great for FR linearity. However, they (and some of the other pro coax alternatives that are actually in stock) are so relatively inexpensive, I could be tempted to try an active implementation, just for fun.I just kept the volume the same, they sound pretty much the same indoors as they do on poles. I don't really care for them though, they're just a pain to use when I have other powered option with DSP that just sound better. The volts are close to the best speaker monitoring I've ever had with EQ, but without it they kind of suck. Here's one volt and a tham. Don't have any pics of htm.
View attachment 132196
From what I recall, the Volt measurements aren't great for FR linearity. However, they (and some of the other pro coax alternatives that are actually in stock) are so relatively inexpensive, I could be tempted to try an active implementation, just for fun.
Did you make HTM 12 v1 or v2? I can easily see choosing a different speaker for PA just from the weight of a wood cabinet of this size alone. I don't know if I would call my v2 "meh", though. I like them - but I use them at home and with DSP.